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In 1947, Marie Tinguely leaves her homeland to go work in a hospital for the Swiss mission in the South African bush. After her death, the films shot over 25 years as a missionary, as well as some of the letters she wrote are found in a family apartment. I decide to explore them.
Nwa-Mankamana (2013 )
My kith and kin (2013 )
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Another "bytový film" by Bohdan Karásek. Milostné písně already uses a more structured screenplay and the plot takes place at many different locations. Another conversational drama.
Love Songs (2013 )
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Set in a quasi-ghost town that once thrived with oil in China's arid northwest, Yumen is a haunting, fragmented tale of hungry souls, restless youth, a wandering artist and a lonely woman, all searching for human connection among the town's crumbling landscape. One part "ruin porn", one part "ghost story”, and entirely shot on 16mm, the film brings together performance art, narrative gesture, and social realism not only to play with convention and defy genre, but also to pay homage to a disappearing life-world and a fading medium.
Yumen (2013 )
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While emptying the Parisian apartment of her mother Kyoko, who has just died, Akiko discovers a pile of notebooks specifically left for her. The notebooks are her mother's personal diary, which she started writing in 1964. Laden with the strange inheritance, Akiko decides to take her mother's urn back to Japan to her maternal family, and in the process discovers that she is herself part of an intimate area of her mother's life about which she new nothing. The film travels between two generations of women, from the France of the New Wave to Japan after the atomic bomb. While looking for the right place to disperse her mother's ashes, Akiko goes back in time and tries to find her own place. Akiko, the heroine of this documentary, refers to her mother the actress and her mother the feminine icon of the 1960s. The film is carried along by this dialog beyond death, just as it is by Kyoko's past and Akiko's destiny.
Cendres (2013 )
Vězení umění (2013 )
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In 2009, the Afghan Parliament approved the Shia Family Law, which was then signed by President Karzai. The law severely restricted women’s freedom, making it illegal for them to exit the house without their husband’s consent or resisting to their husband’s sexual demands. Mohtarama The Afghan women who were against this law, gathered and protested in front of Afghanistan’s biggest religious school where the law was written with support from Sheikh Asif Mohsini (an Islamic scholar and the founder of the school). The protests turned violent as the students of the school began humiliating the women protestors by beating, spitting, and labeling them as “Western followers”. This was one of the first major movements by women for their rights. This seemed to be the right time to visit other provincesto learn about the concerns and challenges of the educated Afghan women and their hopes and expectations from women movements.
Mohtarama (2013 )
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Pavel Abrahám’s football documentary offers 22 different viewpoints of who is watching. At a match between Sparta and Slavia, the filmmakers used 22 cameras to film the spontaneous reactions of various visitors, fans, tourists, VIPs, intellectuals, and security guards over the course of the entire game. This experiment with the Czech Republic’s national sport shows football as a game around which the viewers create a whole range of other, highly diverse games.
Two Nil (2012 )
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The extraordinary destiny of two people. After the Second World War, Lois is an actress in Broadway theatre, television and Hollywood films. Her husband, Edgar Snow, is world famous. A pioneer fascinated by China, he is the first journalist to film and interview Mao Tse-tung. Suspected by the American authorities of Communist sympathies, Ed and Lois are blacklisted. Together with their two small children, they go to Switzerland, mid-way between China and America, where they find a new home. A story of revolution, utopia, disillusionment, and hope.
A Home Far Away (2012 )
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In the constant stream of hoping, failing and making new plans, Denok and Gareng stay united in their passionate struggle to make it up the hill one day. In the modest house of Gareng’s mum, these young, ex-street urchins Muslim couple starts a small pig business, looking for the lucky streak to come over the family. But new challenges constantly arise, putting their cheerfulness and patience on trial. In an entirely observational approach, ‘Denok & Gareng’ explores a strong loving relationship inside a strikingly vivid family that sticks together, fights back and laughs, about what others would call a Sisyphus fate.
Denok & Gareng (2012 )
Sur le rivage du monde (2012 )
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What Swiss director Stefan Schweitert did for accordion music and for yodeling (Accordion Tribe, Cinequest, 2005; Echoes of Home, Cinequest 2008) he now does for traditional Balkan music. This wonderful film is also a love story – and a door into a world of musical wonders.
Balkan Melody (2012 )
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It was the year 1984 when a group of architects decided to organize a one night music band as a New Year's party joke in Kaunas, Lithuania. The joke proved to be so good that rumors about the new exciting rock band spread from lips to lips and soon their intellectual circus grew into the Rock Marches - massive events involving thousands of people - that transformed into the big meetings for Lithuanian Independence later named the Singing Revolution. This is the story about the people who raised their independence with the smiles and songs regardless of the danger of the situation.
How We Played the Revolution (2012 )
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A cameraman and a soundman arrive in Corvo in 2007, the smallest island in the archipelago of the Azores. Right in the middle of the Atlantic Ocean, Corvo is a large rock, 6km high and 4km long, with the crater of a volcano and a single tiny village of 440 people. Gradually, this small filming crew is accepted by the island’s population as its new inhabitants, two people to add to a civilization almost 500 years old, whose history is hardly discernible, such is the lack of records and written memories. Shot at a vertiginous pace throughout a few years, self‐produced between arrivals, departures and coming‐backs, “It’s the Earth not the Moon” develops as the logbook of a ship, and turns out as a patchwork of discoveries and experiences, which follow the contemporary life of a civilization isolated in the middle of the sea. A long atlantic film‐odissey, divided in 14 chapters, that combines anthropological records, literature, lost archives, mythological and autobiographical stories.
It's the Earth Not the Moon (2012 )
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A family who emigrated to Germany, escaping from Nicolae Ceausescu's dictatorship in Romania, recalls a world without opportunities or hope for the future, of ever-present fear and a constant struggle for survival. They look back on what made them exchange their home for the promise of freedom in an uncertain future.
Anatomy of a Departure (2012 )
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When Gabino's father returns home after a long absence, the two men awkwardly attempt to re-establish a relationship; but Gabino and his mother quickly tire of this man who has become a stranger to them and decide to kick him out, before realizing that he has already left. Gabino eventually tracks his father down and spends time with him in his rundown apartment, trying to figure out if there is any possibility for the two of them to ever truly communicate. Though Greatest Hits continues Pereda's exploration of his perennial themes of absence, masculinity and the difficulty of maintaining a family, it opens up a whole new set of aesthetic questions through a bold formal gambit: halfway through, the entire narrative reboots and starts from scratch with another actor playing one of the key characters, leading to different iterations of events already witnessed.
Greatest Hits (2012 )
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A youth comedy about the tragedy of the first love. An experiment in the area of the film language. REC, accidentally pressed in the middle of a fight. Jealosies, breakups, reunions. A few bedroom scenes, shot with a home camera. Cries and whispers of the urban outskirts. The audience of the film are both Bergman fans and YouTube viewers.
I Don't Love You (2012 )
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The Blockade is a unique view from within on the most massive, longest, and politically most significant student protest in the country, since 1971, that started in April of 2009 at the Faculty of humanities and Social Sciences in Zagreb. The struggle against the commercialization of education and the blockade of teaching classes lasted for 34 days. The rebellion spread onto more than 20 faculties across the country and the students became an active and relevant political subject. The director followed everything: from the exhilarating preparation meetings and blocking of classes to the first signs of exhaustion, through personal situations and discussions late at night, from the initial support of most faculty members to the moment they turned their back to the movement and the attempt to reach the missing minister of education. This film shows that the blockade was not just physical and that it has a much broader meaning.
The Blockade (2012 )
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How would it look like, the body of Dom Afonso Henriques, first king of Portugal, tutelary figure, subject to successive mythifications throughout Portuguese history?
The King's Body (2012 )
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Taking inspiration from the collaborative 1967 militant anthology film Far from Vietnam, five of the boldest and most prominent American militant filmmakers unite to create this searing (and seething) omnibus work, employing a variety of approaches to reveal the hidden costs of the United States' (and Canada's) most expensive and longest-running war. (TIFF)
Far from Afghanistan (2012 )
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The house of the director has a door out to the sidewalk. This gate separates the inside from the outside. The interior contains the filmmaker's personal story and his world of objects, thoughts and imaginations. Outer space contains the city of Santiago de Chile. The stories of the world inside the house are interrupted when the doorbell rings unknown and thus come into the film.
The Other Day (2012 )
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With Reconversão (Reconversion), Thom Andersen opens another fascinating chapter of his ongoing investigation of architectural landscapes, their filmic representation, and their relation to history, by focusing on 17 buildings and projects by the often-controversial Portuguese architect Eduardo Souto de Moura—winner of the 2011 Pritzker Prize. Echoing Dziga Vertov’s concepts and Eadweard Muybridge’s techniques (shooting only one or two frames per second), Andersen masterfully brings forward what makes Souto de Moura an original: the incorporation of the passing of time into architectural designs, positing them within a history fraught with class struggle and societal changes, in a continuum with ruins—from which they may originate, and to which they will return—and with nature—which they frame, and by which they are framed.
Reconversion (2012 )
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A Comunidade is a short documentary focused on CCL, the oldest camping park in Portugal.
The Community (2012 )
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Year after year, Portuguese students, from North and South alike, subject themselves to initiation rites when they start university. Hazings, organized by older students, include several challenges and ceremonies, which take place throughout the whole of the first year, day and night, and sometimes interfere with classes. Based upon ancient traditions and following a rigid hierarchy, hazings have thrived once again in the last decade. Despite protests, they gather more and more supporters, thrilled with its explicit sexual language, power games and levels of humiliation.
Praxis (2012 )
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A ferry makes its way through the ice floating in the wintery Baltic Sea. Yet the ice has long since broken inside the ship thanks to the evening's entertainment: with their presentation, the artists breathe a moment of magic into a world which already seems rather unreal. The film evokes a journey into the unknown, full of nostalgia and hope.
Icebreakers (2012 )
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An audio-visual essay, which reflects upon & compares metro systems around the world. It is an exploration of a world inside the world as well as feelings, fascination, obsession, fear and themes - of survival, control & silence.
Trains of Thoughts (2012 )
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The Weather War is a documentary/art film about man’s attempts to control the weather and harness it for his own purposes. In a blend of land art performance and road movie, artist duo Bigert & Bergström travel to the US tornado belt with their special machine-sculpture, the Tornado Diverter. The goal: To stop a tornado. Along the way, we see historical examples of how the science of meteorology developed in symbiosis with military goals and how these visions evolved into modern ideas of geo-engineering. Controversial ideas with socio-political consequences, spotlighting the big question of who is really entitled to modified weather.
The Weather War (2012 )
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Road trip through the periphery of the EU shows present-day Europe through the eyes of a much-travelled six-year-old, wise beyond his years. A fresh look at this old continent: shooting from the hip and free from sentimentality, young Terra questions the usefulness and purpose of borders.
Mother Europe (2012 )
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Director Marc Schmidt films his longtime friend Matthijs, an autistic person desperately trying to create order in the chaos around him. When the housing corporation tries to evict him from, suicide seems the only way out for Matthijs...
Matthew's Laws (2012 )
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Libor Podmol arrives in the U.S. He buys a Suzuki two-stroke bike in the legendary shop Chaparral in Los Angeles. Tomorrow Will Be Better charts Libor's journey from unknown hopeful to Freestyle MX World Champion. The film features interview footage from legendary riders, Rob Adelberg, Peter Kuchar, Lucas Mirtl, Mike Metzger, and Jim McNeil. This is the story of one man's dream, and the community around him that helped him rise to the top.
Tomorrow Will Be Better (2012 )
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This German documentary looks inside a nearly idle restaurant in a dowdy building in the country of Georgia, its listless workers waiting for business to pick up. The mournful atmosphere serves as a metaphor for the uncertain future of Georgia.
Bakhmaro (2012 )
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Greece is chosen to be the first EU economic experiment. A country cannot go bankrupt like a business could, a state’s possessions cannot be confiscated and resold. The documentary covers the events that took place around Sintagma Square (Constitution Square) in Athens (Greece) on 28-29 June 2011, during the Austerity Measures Vote by the Greek Parliament. The film goes through the events of the extensive protests by the people opposing the Greek sell-out. It documents the social zeitgeist in Greece, and acts in solidarity with the protestors who are combatting police brutality in its various forms.
155 Sold (2012 )
