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The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.
The Term. Beginning of a Big Story (2014 )
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A small, shabby bar in the deep south of Italy. A group of men play Padrone e sotto, an archaic drinking game. The film looks into a closed society of residents of a structurally weak region and becomes a sociogram that is exploring universal power mechanisms.
Master and Vassal (2014 )
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The Ave Valley is, for more than a century, a territory seized by an imposing industry. Amongst ruins and operating factories, we descend the river on a journey alongside the banks of the present, unveiling the marks of the past.
Industrial Revolution (2014 )
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A trans girl misses her train stop one night and embarks on a surreal journey back home as her dreams start leaking into her reality.
Snakeskin (2024 )
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A young Bulgarian girl digs into her grandfather's turbulent life in an attempt to unravel the past and find answers and explanations for the catastrophic fall of communism.
The Beast Is Still Alive (2016 )
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Taken from a train window, Petronin imprinted manually a single image strip, using a shutterless camera, exposing it to a continuous influx of light. The result is the dissolution of the space between frames, elements of landscape losing their solidity.
Abiding (2019 )
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Igor and Sveta visit Igor's hometown. Igor wants nothing more than to spend the weekend recording a fun vlog with his girlfriend when a talk with his mom uncovers more of a pressing problem in his relationship with Sveta.
Love & Partnership (2016 )
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An acclaimed hijacking documentary that eerily foreshadowed 9/11. We meet the romantic skyjackers who fought their revolutions and won airtime on the passenger planes of the 1960s and '70s. By the 1990s, such characters were apparently no more, replaced on our TV screens by stories of anonymous bombs in suitcases. Director Johan Grimonprez investigates the politics behind this change, at the same time unwrapping our own complicity in the urge for ultimate disaster.
Dial H-I-S-T-O-R-Y (1997 )
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Tales of Two Who Dreamt is set in a housing block in Toronto and pivots on representation and self-representation. Here, a Roma family rehearses the stories of their past for the upcoming hearing on their residency status.
Tales of Two Who Dreamt (2016 )
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This documentary portrait covers all the themes of Daveau’s rich life: from her field research and private life to feminism and the influence of the modern age on family relationships and science. Her passionate life is examined in detail in an inexhaustible series of stunning archival photos and home videos recorded by Daveau, and in voice-over she speaks openly, extensively and full of wonder about life and the world around her.
Suzanne Daveau (2019 )
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'Why are you here? Are you mentally sick? Do you want to kill people?" the Ukrainian military commander asks the 18 year old recruit Artiom.
Boy of War (2022 )
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‘Covid Messages’ is a video in six parts, based around broadcasts of Prime Minister Boris Johnson’s COVID-19 press conferences. The work focusses on the British government’s attempts to eliminate the virus through the use of magic spells and rituals. While the pandemic spreads and the death toll rises, the Prime Minister makes repeated errors of judgement. Exasperated by his many mistakes, the spirits of the dead rise up and intervene.
Covid Messages (2021 )
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As a letter to her son, the filmmaker testifies her experience as a photographer aboard the Aquarius, a ship that rescued 29,523 people in the Mediterranean between 2016 and 2018.
A letter to Nikola (2021 )
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Follows inmates from Roumieh Prison in Lebanon who produce a play about their fellow prisoners who suffer from mental illness and are thus filed under 'Mad and Possessed' by the Penal Code and forgotten behind bars for life.
The Blue Inmates (2022 )
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In the familiar surroundings of their everyday lives, they talk about things that matter to them, about experiences that move them, about first love and loss, hopes and fears. 13 adolescents from a school in Donbass which was destroyed during the war in Ukraine, and subsequently rebuilt, share themselves in front of the camera. 13 lives inhabiting an intermediary space, both emotionally and socially.
School Number 3 (2017 )
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This film tries to make a silent record of the arrival of an economy of scale, its flows, and its effects upon the transformation of an island’s physical and human landscape.
Trading Cities (2014 )
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At the Gaomeigu Observatory in China, the Naxi people scan the sky, convinced they are the descendants of immortal beings living there, abandoned on earth to watch them. Between astronomy and legends, Marko Grba Singh seems to compose a mysterious and polysemous tableau. From folk tales heroes such as William Tell, Prince Marko or Sanduo for the Naxi, passing by a miraculous catch, Gods besotted with each other, or the absence of walls built around a city because of the ambiguity of Chinese characters, 'Stars of Gaomeigu' dresses the bodies and contemporary images of mythological tales.
Stars of Gaomeigu (2017 )
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During language classes the director is not only taught basic Persian by her teacher, he also opens the gates to Iranian history and culture. Gradually, the lessons morph into a poetic, visual collage that questions the term freedom and the meaning of revolution.
I for Iran (2014 )
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Erna and Dževad are the owners of a pub in the vicinity of a steel mill, a complex that used to be one of the largest of its kind in Eastern Europe. Taking place one week before the pub’s official closedown, the film follows a series of conversations between visitors and frequent guests, who discuss the ways of reaching Germany – a new utopia of former socialist workers.
The Steel Mill Cafe (2017 )
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The film tells the life story of its director, Jan Nemec, one of the most known and important filmmakers of Czech New Wave.
The Wolf from Royal Vineyard Street (2016 )
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Dos Islas is a poetic story about old age, family and the bond between a granddaughter and a grandmother. The woman, who just turned 102, tells stories about her past and childhood. In a literary and visual way she describes the most minute details. The film dazzles the viewer with love and optimism, the time passes slowly between the two islands, which might be real people, real places or the products of the main character’s imagination.
The Island (2017 )
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A poetic documentary about life in a war-torn Chechen village, with the cemetery as its symbolic focal point. The village lives and breathes in unison. The Chechen gravediggers are always busy. Death is an everyday visitor. It does not even matter that yet another war has ended. The people live stuck in a circle of vengeance. They also gather into circles to chant prayers to God. Only the cows are grazing calmly next to the cemetery and the children are happily going about their business. The Chechens' parting words to one another are, "May you come back free!"
Come Back Free (2016 )
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Three former political prisoners tell the story of their imprisonment in the Soviet-era Perm-36 prison camp. Years later they return to the camp (now a museum) to participate in the “Pilorama” Forum, a campsite, mirror-like, reflects the condition of Russian society haunted by phantom pains after the fall of the Soviet Union.
Perm-36. Reflexion (2016 )
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On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.
Sunny Night (2017 )
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Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.
High Cities of Bone (2017 )
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Justyna is a nine year old girl who is training professionally rhytmic gymnasts. Her life is filled with trainings and competitions, where she often has to exceed their own limits and weaknesses. Every day she needs to be stronger and more determined if she wants to beat her colleagues in all competition races. Despite all the enormous efforts she not always manages to stand on the podium. When she loses her hopes for wining she decides to start training five-year gymnasts by herself.
One Two Zero (2017 )
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Tradition and modernity, contrasting ways of life: the master of archival footage has assembled an impressive collection. His serene narration takes us inside the private lives of migrant families in different eras, from the beginnings of film to the present day. This new film from one of the great avant-garde directors is also a powerful tribute to a neglected genre.
How We Live - Messages to the Family (2017 )
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A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".
A Hole In The Head (2017 )
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A 70-year-old man and a 25-year-old woman share a candid and twisted relationship with a deadline. Trapped in one room, Antonio and Catarina are negotiating the terms of their relationship.
Antonio and Catarina (2017 )
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Aspiring directors Lev Zaretski (a sadist) and Ruslan Romanov (an anime MC) will show you how to properly write a screenplay; cast actors; do a film shoot; and answer questions from annoying film festival attendees.
Cinemagic (2017 )
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A one-take observational piece about the microcosm of Islamic practices and class segregation in Bangladesh's capital city Dhaka.
Interiors & Exteriors (2018 )
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Documentary film Heavy Heart arose as a part of ethnomusicological research Silalo panori / Cold water (2014 – 2017) of ancient Roma songs. These songs are usually connected with memories and experiences of their interprets. Documentary in a mosaic-like way traces the way of the original Roma music transport to the next generation or also how it ceases to exist under the influence of social changes.
Heavy Heart (2017 )
