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During language classes the director is not only taught basic Persian by her teacher, he also opens the gates to Iranian history and culture. Gradually, the lessons morph into a poetic, visual collage that questions the term freedom and the meaning of revolution.
I for Iran (2014 )
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Erna and Dževad are the owners of a pub in the vicinity of a steel mill, a complex that used to be one of the largest of its kind in Eastern Europe. Taking place one week before the pub’s official closedown, the film follows a series of conversations between visitors and frequent guests, who discuss the ways of reaching Germany – a new utopia of former socialist workers.
The Steel Mill Cafe (2017 )
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The film tells the life story of its director, Jan Nemec, one of the most known and important filmmakers of Czech New Wave.
The Wolf from Royal Vineyard Street (2016 )
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Dos Islas is a poetic story about old age, family and the bond between a granddaughter and a grandmother. The woman, who just turned 102, tells stories about her past and childhood. In a literary and visual way she describes the most minute details. The film dazzles the viewer with love and optimism, the time passes slowly between the two islands, which might be real people, real places or the products of the main character’s imagination.
The Island (2017 )
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A poetic documentary about life in a war-torn Chechen village, with the cemetery as its symbolic focal point. The village lives and breathes in unison. The Chechen gravediggers are always busy. Death is an everyday visitor. It does not even matter that yet another war has ended. The people live stuck in a circle of vengeance. They also gather into circles to chant prayers to God. Only the cows are grazing calmly next to the cemetery and the children are happily going about their business. The Chechens' parting words to one another are, "May you come back free!"
Come Back Free (2016 )
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Three former political prisoners tell the story of their imprisonment in the Soviet-era Perm-36 prison camp. Years later they return to the camp (now a museum) to participate in the “Pilorama” Forum, a campsite, mirror-like, reflects the condition of Russian society haunted by phantom pains after the fall of the Soviet Union.
Perm-36. Reflexion (2016 )
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On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.
Sunny Night (2017 )
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Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.
High Cities of Bone (2017 )
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Justyna is a nine year old girl who is training professionally rhytmic gymnasts. Her life is filled with trainings and competitions, where she often has to exceed their own limits and weaknesses. Every day she needs to be stronger and more determined if she wants to beat her colleagues in all competition races. Despite all the enormous efforts she not always manages to stand on the podium. When she loses her hopes for wining she decides to start training five-year gymnasts by herself.
One Two Zero (2017 )
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Tradition and modernity, contrasting ways of life: the master of archival footage has assembled an impressive collection. His serene narration takes us inside the private lives of migrant families in different eras, from the beginnings of film to the present day. This new film from one of the great avant-garde directors is also a powerful tribute to a neglected genre.
How We Live - Messages to the Family (2017 )
- Free
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A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".
A Hole In The Head (2017 )
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A 70-year-old man and a 25-year-old woman share a candid and twisted relationship with a deadline. Trapped in one room, Antonio and Catarina are negotiating the terms of their relationship.
Antonio and Catarina (2017 )
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Aspiring directors Lev Zaretski (a sadist) and Ruslan Romanov (an anime MC) will show you how to properly write a screenplay; cast actors; do a film shoot; and answer questions from annoying film festival attendees.
Cinemagic (2017 )
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A one-take observational piece about the microcosm of Islamic practices and class segregation in Bangladesh's capital city Dhaka.
Interiors & Exteriors (2018 )
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Documentary film Heavy Heart arose as a part of ethnomusicological research Silalo panori / Cold water (2014 – 2017) of ancient Roma songs. These songs are usually connected with memories and experiences of their interprets. Documentary in a mosaic-like way traces the way of the original Roma music transport to the next generation or also how it ceases to exist under the influence of social changes.
Heavy Heart (2017 )
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A film about the ghosts of those letters that never reached their destination.A neighborhood detained in time that nevertheless will change irremediably and that keeps the memory of thousands of secret stories, hidden in its streets, houses and corners. Mothers who seek reconciliation with their daughters, confessions of unrequited love, loneliness and many searches for an answer that will never come.
All the Letters that I Never Sent (2017 )
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The desert East of L.A. is a land of fractured time, rotting nostalgia, and esoteric energy. Out here, we’re all ghosts.
Tourists (2019 )
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This is an observational documentary focused on one of the biggest unfinished bridge projects in the world - Podilsky Bridge in the centre of Kyiv. Its construction started nearly 25 years ago, but was halted in the late 2000s due to lack of investment and overwhelming corruption. The locals have adapted the unfinished bridge to their own needs - from sports and leisure to risky parcour-style attempts at getting from one river bank to another. In the meantime, Kyiv’s mayor Vitaliy Klitschko is trying to figure out a way to complete the unfortunate project - with a little help from German politicians... - DAfilms
The Film of Kyiv. Episode One (2017 )
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Lynne shoots Super 8mm film of the Jan. 21 Women’s March in Washington, D.C. and intercuts this recent footage with archival material of early 20th Century Suffragists marching for the right to vote, 1960s antiwar activists and 1970s advocates for the Equal Rights Amendment.
And Then We Marched (2017 )
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Aimed at generating a revolution in perceptual habits, Semente Exterminadora approaches Indigenous knowledge as a radical means of reconceiving the relationship between humans and their environment in the twenty-first century.
Exterminator Seed (2017 )
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What starts out as a calm, observational record from an excursion boat filled with Taiwanese tourists admiring a glacier, soon turns into a frenzied – in places almost hallucinogenic – series of bizarre events after a black spot appears in the sky. Shots of the tourists alternate with views of horses grazing in a snowy landscape, a couple in a hotel room, and a group of young people digging film strips out of a garbage can. From the start, the viewer searches for the key to this random sequence of wordless scenes, trying to keep pace with the rapid, sometimes even stroboscopic montage of juxtaposed shots, which is slowed down with contemplative views of the monstrous glacier.
Wind Shaped Rocks (2017 )
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Can a horse save a life? In Clondalkin (Dublin) that’s exactly the case, in a district where there are a lot of problems and not a lot of prospects for the young.
Urban Cowboys (2016 )
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El Remolino is a tiny community on the banks of the widest river in Mexico, it is home to unusual characters whose lives oscillate between an attachment to the paradise like surroundings and the uncertainty that looms year after year, when high floods cover their community. El Remolino is a reflection upon the human capacity to adapt and coexist with nature's changes.
The Swirl (2016 )
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December the 31th, 2003. Lucie decides to write a letter to the man who abused her from the age of 8 to 12 years old and resolves herself to bring it to him in person, wherever he may be.
A Woman and Her Car (2016 )
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Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.
Satan Satie (2016 )
EGOnomics (2016 )
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A poetic documentary about the lost film culture in the small villages on the Croatian islands during the SFR of Yugoslavia.
Islands of Forgotten Cinemas (2016 )
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One day almost everything turned into a pile of rubble and bush. There remained ghosts wandering through the fields, the ruins and the fog. Some of these ghosts are alive. They are those who stayed, those who came back, those who roam the difficult memories of the most cursed neighborhood of the city. Only that this Tarrafal, the name of the field of slow death of Salazar's dictatorship, is not in Cape Verde but in Portugal.
Tarrafal (2016 )
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In the industrial city of Kawasaki, on the corner of the street where my grandparents used to live, bettors of keirin — a cycling race developed in post-war — gather in a tiny bar busy drinking, chatting and gambling at the velodrome nearby. Most are old men who struggle to make a living for themselves; most have lived in this town their whole lives. This film frankly captured with a fixed camera, gives voice to the lives of the elderly men who have been left behind by Japan's economy.
Kawasaki Keirin (2016 )
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She is spending her life defying gravity on the vertical road that literary has no beginning or end, where she has nothing to hope for, where only injury or death can happen to her. She has only her memories.
Wall of Death, and All That (2016 )
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Inaugurated by the military government of Lanusse and built under the motto "The neighborhood of the year 2000", Lugano I and II today is a place full of signs and routes that its ideologists left programmed forever. The film moves between the ghosts of the past and life in the present
Implantation (2016 )
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The body of a young Polish woman is found in a suitcase on a London canal adjacent to a block of flats. The filmmakers invite the residents to reflect on how the murder has affected them. Through their stories we are provoked to think about our own relationship to the strangers living in our midst.
Touched by Murder (2016 )