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Discover the best of DocAlliance Films in US, where you’ll find an unmatched variety of movies and tv shows to enjoy. From blockbuster hits to critically acclaimed favorites, DocAlliance Films has options for every mood and moment. Love discovering something new? Dive into curated collections of trending titles, hidden gems, or recent releases tailored to your taste. With content spanning across genres like action, romance, documentaries, and more, there's always something exciting waiting for you.
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Based on Samuel R. Delany’s short novel ‘Aye, and Gomorrah...’, where the sci-fi premise of radiation-resistant state-neutered space travellers allows the author to explore androgyny, sexual identity, etc. Hammel uses Delany’s story to create a spookily beautiful world where asexual bodies live in the contradiction between their unarousable loneliness and desire for intimacy and contact.
The Black Sun (1992 )
- Free
Movie
In the little town of Herzsprung - whose name harks back to an ancient legend of broken hearts - almost nothing has changed since German unification, except a rise in unemployment. Johanna, a young mother and widow, becomes one of the unemployed and lives on welfare. To make matters worse, she falls in love with a dark-skinned, roving adventurer and the whole village starts talking about it.
Herzsprung (1992 )
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Five young Ukrainians discuss life following the Maidan Revolution of 2014. Not all fought in the Russian-Ukrainian war, but it, regardless, shattered their life plans. Representing 'Generation Maidan', they face the question of how to cope with experiences of violence, how to go on. A local theatre director produces Hamlet, wherein they can use Shakespeare’s tragic character as a mirror and face their traumas onstage. For them, 'to be or not to be' is not simply text but an existential dilemma with no clear answer.
The Hamlet Syndrome (2022 )
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An audition for men aged between 16 and 99. There are no props nor make-up, just pure improvisation. All that is required is the willingness to engage openly with the topic and language of the words on the page. No small challenge, since the text in question is the scandalous novel published anonymously in 1906 “Josefine Mutzenbacher, or the Life Story of a Viennese Whore, as Told by Herself” which, as this film confirms, continues to be the subject of passionate and controversial discussions about desire, even today. What might be world-class pornographic literature for some is seen by others as an abusive depiction of child sexuality.
Mutzenbacher (2022 )
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In 2019, the Brazilian government coordinates the largest and riskiest expedition of the last decades into the Amazon rainforest to search for a group of isolated indigenous people in vulnerability and promote their first contact with non-indigenous. Bruno Pereira, who would later be murdered in the same region and turned into an international symbol in favor of the indigenous and the forest, leads the expedition.
The Invention of the Other (2022 )
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The film depicts the lives of the two sole residents of an abandoned company town while unfolding a complex labour history and revealing the vestiges of environmental degradation. Combining large format cinematography and an inquiry into the archival record, it interlaces past and present.
Anyox (2022 )
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Ida, the grandniece of Simona Kossak, travels to the Bialowieza Forest at the Polish-Belarussian border. Sorting through the photos left by Lech Wilczek, Ida uncovers the life he had with Simona, captured in the photographs, footage and memories. A moving and powerful documentary about the life of Simona Kossak, a biologist, ecologist and activist known for her efforts to preserve the remnants of natural ecosystems in Poland and for living among the animals in the Białowieża Forest for over 30 years.
Simona (2022 )
- Free
Movie
Georgia’s former prime minister has found a unique hobby. He collects century-old trees, some as tall as 15-story buildings, from communities along the Georgian coast. At a great expense and inconvenience, these ancient giants are uprooted from their lands to be transplanted in his private garden.
Taming the Garden (2022 )
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Zosia, Kinga and Oskar start their first year at school for blind and visually impaired children.
Fledglings (2022 )
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A portrait of the disenchanted youth of the city of Tolyatti, once a symbol of Soviet progress and the automobile, now devastated by economic decline. Laura Sistero encounters an aimless young generation, who express their dreams of escape through crazy races in old patched-up Ladas. A cinematic object is propelled by spectacular skids to the rhythm of an electro-rock soundtrack.
Tolyatti Adrift (2022 )
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KIM Soonak is a survivor of sex slavery by the Japanese military. The war may have ended, but her life was still at a war. She lived in the prostitute quarters to survive, did sex business in the US military camp town, and peddled goods from the US military. She raised two kids on her own as she worked as a maid. We’ll listen to her story in her absence. The film reconstructs the life story of the deceased KIM Soonak with interviews with activists, archive videos, animation, and read-aloud testimony.
Comfort (2022 )
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“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.
Bandits of the Ballad (2022 )
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In Croatia in 2005, a machine tools factory was occupied by its workers. Since then, they have operated collectively, becoming the only successful example of a worker occupation in post-socialist Europe. Today, as they seek a new model of collective ownership, the microcosmic world of the factory clashes with the forces of the globalized market economy, having an increasingly brutal impact on wages and the organization of the factory, causing rising disaffection among the workers. Filmmaker Srđan Kovačević returns regularly over a five year period to make a film that charts the evolution of this communal enterprise. Factory to the Workers tells the inside story of the workers who challenged the dominant economic narrative with their actions. After a decade, the same question remains: can a factory in the hands of workers survive at the periphery of capitalism, or do we need a bigger dream?
Factory to the Workers (2022 )
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45,000 patients died in French psychiatric hospitals between 1939 and 1945. A single site escaped this carnage: the asylum in Saint-Alban, an isolated village in Lozère. What happened there for it to be an exception? Retracing several decades in the history of this important site of psychiatry, using precious archival films and the accounts of those who worked there, Martine Deyres answers this question and, in doing so, shows how the political courage and poetic audacity that were practised there contributed to changing medicine and society’s perception on madness. Intersecting in the crucible of this movement called “institutional psychotherapy” were members of the Resistance, artists, doctors and philosophers—including Paul Eluard, Tristan Tzara and Georges Canguilhem.
Our Lucky Hours (2022 )
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90-year-old architect Florian Yuriev is facing the destruction of his magnum opus: an avant-garde concert hall set to be repurposed as a shopping mall. Florian confronts the powerful real estate developer behind this investment project, and uses his visionary ideas to capture an unlikely victory. This is an architectural documentary with infusions of science fiction and horror film.
Infinity According to Florian (2022 )
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A self-portrait in winter. The director is taking a short rest among the key locations of his life. He reminisces about places forgotten, years gone by, and friends gone away.
The Bear's Lair (2022 )
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Adina Camhy investigates the phenomenon of a crater as a metaphor, as well as a concrete physical shape, resulting in a meditation on ‘dynamic memorials’ around the Ramon Crater in the Negev desert and its counterpart with the same name on the Moon.
Crater (2022 )
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Three radically different protagonists, with polar opposite political views, try to define their identities against the background of contemporary Poland. They are at turning points of their lives. The woman has an abortion. One man is getting more politically radical and joins a right-wing party. The other man breaks his ties with the Church and chooses apostasy. Even though they could not be more different in terms of their worldviews, they have one thing in common – each of them is trying to embrace their own uniqueness and understand who they are.
Identity (2022 )
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What Swiss director Stefan Schweitert did for accordion music and for yodeling (Accordion Tribe, Cinequest, 2005; Echoes of Home, Cinequest 2008) he now does for traditional Balkan music. This wonderful film is also a love story – and a door into a world of musical wonders.
Balkan Melody (2012 )
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It was the year 1984 when a group of architects decided to organize a one night music band as a New Year's party joke in Kaunas, Lithuania. The joke proved to be so good that rumors about the new exciting rock band spread from lips to lips and soon their intellectual circus grew into the Rock Marches - massive events involving thousands of people - that transformed into the big meetings for Lithuanian Independence later named the Singing Revolution. This is the story about the people who raised their independence with the smiles and songs regardless of the danger of the situation.
How We Played the Revolution (2012 )
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On the 31st of January, 1953, the worst natural disaster to strike Britain in modern times overwhelmed the country. Across a day of destruction, a massive storm and its huge tidal surge flooded 250 square miles of land.
The Great Flood of '53 (2023 )
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A cameraman and a soundman arrive in Corvo in 2007, the smallest island in the archipelago of the Azores. Right in the middle of the Atlantic Ocean, Corvo is a large rock, 6km high and 4km long, with the crater of a volcano and a single tiny village of 440 people. Gradually, this small filming crew is accepted by the island’s population as its new inhabitants, two people to add to a civilization almost 500 years old, whose history is hardly discernible, such is the lack of records and written memories. Shot at a vertiginous pace throughout a few years, self‐produced between arrivals, departures and coming‐backs, “It’s the Earth not the Moon” develops as the logbook of a ship, and turns out as a patchwork of discoveries and experiences, which follow the contemporary life of a civilization isolated in the middle of the sea. A long atlantic film‐odissey, divided in 14 chapters, that combines anthropological records, literature, lost archives, mythological and autobiographical stories.
It's the Earth Not the Moon (2012 )
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A family who emigrated to Germany, escaping from Nicolae Ceausescu's dictatorship in Romania, recalls a world without opportunities or hope for the future, of ever-present fear and a constant struggle for survival. They look back on what made them exchange their home for the promise of freedom in an uncertain future.
Anatomy of a Departure (2012 )
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When Gabino's father returns home after a long absence, the two men awkwardly attempt to re-establish a relationship; but Gabino and his mother quickly tire of this man who has become a stranger to them and decide to kick him out, before realizing that he has already left. Gabino eventually tracks his father down and spends time with him in his rundown apartment, trying to figure out if there is any possibility for the two of them to ever truly communicate. Though Greatest Hits continues Pereda's exploration of his perennial themes of absence, masculinity and the difficulty of maintaining a family, it opens up a whole new set of aesthetic questions through a bold formal gambit: halfway through, the entire narrative reboots and starts from scratch with another actor playing one of the key characters, leading to different iterations of events already witnessed.
Greatest Hits (2012 )
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A youth comedy about the tragedy of the first love. An experiment in the area of the film language. REC, accidentally pressed in the middle of a fight. Jealosies, breakups, reunions. A few bedroom scenes, shot with a home camera. Cries and whispers of the urban outskirts. The audience of the film are both Bergman fans and YouTube viewers.
I Don't Love You (2012 )
- Free
Movie
Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.
The End of Time (2012 )
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The Blockade is a unique view from within on the most massive, longest, and politically most significant student protest in the country, since 1971, that started in April of 2009 at the Faculty of humanities and Social Sciences in Zagreb. The struggle against the commercialization of education and the blockade of teaching classes lasted for 34 days. The rebellion spread onto more than 20 faculties across the country and the students became an active and relevant political subject. The director followed everything: from the exhilarating preparation meetings and blocking of classes to the first signs of exhaustion, through personal situations and discussions late at night, from the initial support of most faculty members to the moment they turned their back to the movement and the attempt to reach the missing minister of education. This film shows that the blockade was not just physical and that it has a much broader meaning.
The Blockade (2012 )
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How would it look like, the body of Dom Afonso Henriques, first king of Portugal, tutelary figure, subject to successive mythifications throughout Portuguese history?
The King's Body (2012 )
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Taking inspiration from the collaborative 1967 militant anthology film Far from Vietnam, five of the boldest and most prominent American militant filmmakers unite to create this searing (and seething) omnibus work, employing a variety of approaches to reveal the hidden costs of the United States' (and Canada's) most expensive and longest-running war. (TIFF)
Far from Afghanistan (2012 )
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The house of the director has a door out to the sidewalk. This gate separates the inside from the outside. The interior contains the filmmaker's personal story and his world of objects, thoughts and imaginations. Outer space contains the city of Santiago de Chile. The stories of the world inside the house are interrupted when the doorbell rings unknown and thus come into the film.
The Other Day (2012 )
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A detailed collection of the voices, struggles, and events at People’s Park in Berkeley, California. The footage, recorded between February and October of 2022, highlights a transitional period of the park and its historically marginalized community. The observed human experiences illustrate a grounded portrait of a larger tendency in the West.
People's Park (2022 )
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With Reconversão (Reconversion), Thom Andersen opens another fascinating chapter of his ongoing investigation of architectural landscapes, their filmic representation, and their relation to history, by focusing on 17 buildings and projects by the often-controversial Portuguese architect Eduardo Souto de Moura—winner of the 2011 Pritzker Prize. Echoing Dziga Vertov’s concepts and Eadweard Muybridge’s techniques (shooting only one or two frames per second), Andersen masterfully brings forward what makes Souto de Moura an original: the incorporation of the passing of time into architectural designs, positing them within a history fraught with class struggle and societal changes, in a continuum with ruins—from which they may originate, and to which they will return—and with nature—which they frame, and by which they are framed.
Reconversion (2012 )
