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While images produced for Hollywood appear slick and controlled, a stunt performer's testimony in Crashing Waves reveals otherwise, as they parse out all of the elements that go into a car crashing off a cliff and diving into the water for a TV show. Though the image produced and edited creates a split-second moment of violence for the viewer's pleasure, Crashing Waves uncovers the months of labor, training, and danger that the stunt involved, contingent on capitalist, patriarchal hierarchies in the film industry. The film meditates on the stakes of the real in the dominant culture's production of images and emphasizes the importance of the ethics of care.
Crashing Waves (2021 )
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An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.
The Good Cinema (2021 )
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Road movie documentary through half a century of filmography by Želimir Žilnik. But also a journey through the history of Yugoslavia, a country that no longer exists. With the specific style of docudrama that he built over the years, Zilnik managed to stay engaged and brave, but above all free, by making low-budget films for decades. We follow the efforts of his team to finish the film "Freedom or Comics", which was seized by censorship 50 years ago, and which was recently accidentally found. The story of an uninterrupted struggle for disenfranchised social and minority groups who are constantly the main heroes of Žilnik's films.
ŽŽŽ: Journal About Želimir Žilnik (2021 )
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Jean-René is a retired workman who has lived in Mâcon, France, since emigrating from Reunion Island at the age of 17. Today, for the first time ever, the quiet man recounts his story to his daughter. His journey is interspersed with enigmatic dreams and pains that are rooted in the wounds of the French colonial past.
In the Billowing Night (2021 )
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A highly choreographed review of the Industrial Age as we know it today – an intense and playful roller coaster ride that demands the viewer confronts how “work works.” Culled entirely from archival footage, the film unfolds in the filmmakers’ trademark, and humorously critical, cinematic voices.
Jobs for All! (2021 )
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The hands question what they can have in common with hands covered in cement, in mud, in dust, dressed in blue construction gloves and yellow cleaning gloves. Those hands that, instead of building houses, repeat images, stretch sounds, construct films.
Places of Absence (2021 )
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When my daughter, Jihoo, was 1 year old, I took her to a doctor and heard something unexpected. "She might have cerebral palsy." Now that she is seven years old, she still walks on her toes. This film is a self-reflection story of a person, as she tries to dig into the waves of honest and sometimes intolerable feelings brought by her daughter´s toe walking.
Tiptoeing (2021 )
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The Mediterranean has always played a central role in our world. It is crossed, made use of, enjoyed, feared and loved every day, every night. Stories from the Sea portrays women aboard three vessels who experience the Mediterranean Sea as a place of longing, a place of work, or a scene of human encounters. The all-encompassing waters, unceasing waves and distant horizons are elements that link the protagonists, regardless of their motivation to go out to sea.
Stories from the Sea (2021 )
Jesus, Aliens! I think (2021 )
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What was to be a coveted tour of a Japanese group around Europe had a tragic end. The 1979 events are remembered by a couple who went on their honeymoon at that time.
Tanaka's Diary (2021 )
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A village mayor is trying to bring together local people in their thirties who are still single. 21st century social engineering in a situation documentary by Erika Hníková. Slowly but surely, the Slovak village of Zemplínske Hámre is dying out. But its mayor, a retired general, refuses to give up. In fighting the thirty-year-olds‘ solitude he has used a variety of weapons such as offering a financial incentives for every newborn child or encouraging childbearing via the local PA system. None of it has worked. However, the mayor has a new plan. He decides to organize an evening get-together for singles from all the neighboring villages. Will our heroes find their partners after all?
Matchmaking Mayor (2010 )
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This is the story of a sixty day long walk in Cape Verde. No mobile phone, no watch, no plans for what to do next – only the bare essentials in the backpack. Out traveller explores the mountains, the villages, the sea, a talking tortoise, the goats, the music, the dry haze, the people of Cape Verde and an essential part of himself.
A Journey to Cape Verde (2010 )
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From the makers of legendary CZECH DREAM, a hilarious documentary about a hoax hypermarket, comes CZECH PEACE, a new playfully explosive flm about the mayor of a small Czech village and his attempts to foil the American plan to build its 762nd military base right on his doorstep. The players in this story are everyone from villagers to George W. Bush, Condoleezza Rice, Barack Obama, peace activists and lobbyists representing American arms manufacturers. Can the Mayor of Trokavec (population 80) take the US on? CZECH PEACE shows the workings of geopolitics and the way they affect the little people. The personal clashes with the impersonal, the specifc with the universal, and an individual with the so-called great history.
Czech Peace (2010 )
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Subtle observation of an everyday life of two refugees from Chechnya living in Warsaw, Poland, 10-year-old Magomed and his father Vakha, which becomes a story about human's love and dignity.
Vakha and Magomed (2010 )
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Stylized as silent cinema, the film connects political and philosophical extremes of 1913 in a story of a young man participating at the creation of a new world. This mysterious adventurer, who was known as Peter the Lett, gets involved in a tragicomic and surreal race from a routine clerk job and a romantic passion in Riga to preparation of the world revolution in Vienna, psychoanalysis at Freud’s salon and seduction of Mata Hari in Paris.
The Year Before the War (2021 )
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A documentary musical comedy with elements of kitchen-sink realist drama, featuring Marija's three granddaughters: Nina, Zeljka and Danira.
Marija's Own (2011 )
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Do you remember the last time you've talked to your parents? What did you talk about? Have you gone step further from weather forecast and daily politics? Five years after last gathering, a birthday celebration brings together an ordinary four member family. They start questioning what made them turn away from each other... Can having a conversation about buried family secrets help them eat without cramps in the stomach in the future? Can a failed birthday cake help them overcome the past? Through the ritual of family meals, the film tells how important is for us to feel accepted by our loved ones.
Family Meals (2011 )
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Karel Vachek’s latest documentary essay deals with the fine line between an internal belief in God and institutionalized religion. At the same time it brings up the need for a healthy sense of skepticism and the benefit of not believing in anything that advertises itself as certain. The filmmaker sets out for the USA, Japan, Great Britain, Poland, and the Balkans in his sometimes amusing investigation of spiritual substitutes, such as esoteric "teachings” or various fraudulent and magical practices, to which we sometimes fall prey due to our natural religious cravings. In addition to a Czech "prefab” family, who describe the carryings-on of their poltergeist, well-known mystery buffs appear in the film: Erich von Däniken, Raymond Moody Jr., and Ivan Mackerl.
Obscurantist and His Lineage or The Pyramids' Tearful Valley (2011 )
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Since comets have been recorded, they’ve augured disaster: catastrophe, messiahs, upheaval and end times. A short film about these meteoric ice-cored fireballs and their historic ties to divination that combines imagery of 15th-18th century European broadsides with NASA Jet Propulsion Laboratory footage. …These Blazeing Starrs! juxtaposes a modern empirical desire to probe and measure against older methods, when star gazers were translators, explicating the sky more intuitively for predictions of human folly. Comets are now understood as time capsules harboring elemental information about the formation of our solar system. Today we smash rockets into them to read spectral signatures. In a sense, they remain oracles - it’s just the manner of divining which has changed.
These Blazeing Starrs! (2011 )
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Vera and Gabriel, an elderly couple, navigate through past and present, telling their own life story. Their remembering, rendered in images from family archives that confound themselves with images of the present, suggests a personal diary on love and death.
Undertow Eyes (2011 )
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Two men take a train ride to find out the truth about their father.
Ex Press (2011 )
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Thi and Trung live in the gorgeous, rice-terraced mountains of Vietnam’s far northwest. Like many young men in this region on the main heroin route from Laos to China, they’re addicts, and they have HIV. Thi wants to kick his habit. Trung just wants to die. “With or Without Me ” is an intimate, tragicomic portrayal of two guys strung out at the edge of the map of a country struggling with drug use, and of the wives, family, doctors and friends trying to pull them back from the brink.
With or Without Me (2011 )
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They arrive, they smoke, they wait - armed robbers seeking redemption, life-long thieves, addicts and anxious fathers of wayward children. Hard exteriors hide soft centres, old lives exist in young bodies - ordinary people awaiting judgement on an unlovely stretch of pavement outside a London magistrates' court. Whilst waiting for their cases to be heard they reveal their lives, and the complexities of the human soul are laid bare. Tense and intimate conversations with the filmmaker illuminate stories that the magistrates hear daily. Director Marc Isaacs spent three months outside Highbury Magistrates Court and, in doing so, demonstrates how the eye of the camera has the ability to delve much deeper into character and motivation than the eye of the law. Consequently, the more we get to know the characters in this film, the harder it is to make easy judgements. Whilst the court must judge, the filmmaker need not.
Outside the Court (2011 )
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Utilizing the banality of Vietnamese state radio broadcasts, The Story of Ones gives a face and a sense of place to the unseen and offers a personal counterpoint to the officially sanctioned. Like entering a roomful of stories, the viewer steps into an unfamiliar space guided only by the sound of the radio tuning in to lifestyle programming, call-in shows and radio dramas. The portraits and settings layered atop the aural landscape create questions, provide humor, offer context and withdraw explanation of what once seemed clear before entering the room.
The Story of Ones (2011 )
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This documentary is on street sellers who sells different kind of things but use same way, their voices. One of them sells cake on street, one of them repairs the quilt on the street, one of them announces the discounts in the market. “I've come and I'm gone” tells that how important human voices is in marketing.
I’ve Come and I am Gone (2011 )
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"Flag as inapproriate". This unconspicuous button with a flag icon appears underneath every single YouTube video we watch marking the limits of our freedom in the Internet. Once flagged by anonymous users, after being checked by the also anonymous YouTube team, a video quickly disappears forever. In exactly this process, Dominic Gagnon intervenes. He 'saves' the flagged videos before they are deleted and adds them to a dark and mythological collage of American survivalism. People have their say, who deeply mistrust the government, who warn their fellow citizens, and who arm themselves visibly. An unclear image emerges. While the protagonists are scared of the almighty American government, the viewer is irritated what to find the most threatening in this "hell": the United States of America, the critics armed to the teeth with conspiracy theories, or the anonymous censorship power of the companies which control the web.
Pieces and Love All to Hell (2011 )
Závod ke dnu (2011 )
Copper Age (2011 )
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The youngest of 17 children, the filmmaker presents us with an intimate family portrait in 17 rolls of Super 8. Through original films and carefully constructed archives, the members of one family recount the events surrounding the death of the oldest brother and share their beliefs on life after death, into which is woven a parallel experience just as haunting to the director.
My Family in 17 Takes (2011 )
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A contemplative walk leads to a bizarre climb. The camera, which has barely touched on an everyday rural landscape, attaches itself to a wooden track to follow a breakneck route over a vertical rock face. At the end: a view of the starting point of the journey - the village! It is only a few minutes of film, but hints at an eternity, far, deep under the rock face.
Stick Climbing (2011 )
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In the beginning the idea was to make something from nothing, in a neutral and unknown place. Collect images and sounds instead of producing them. The camera, the microphone and the mini-amplifier: tools that take away and then give back. We defined a rule: the sound shouldn't illustrate the image and the image shouldn't absorb the sound. Less than a hundred kilometres from Reykjavik we found Strokkur. For three days we saw and heard the internal dynamics of the crevice: the boiling water that spat out every seven minutes and the thermal shock, given the eighteen degrees below zero of the atmosphere.
Strokkur (2011 )
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Imagine waking up tomorrow and all music has disappeared. Just like that. What will remain when it is all gone: CDs, iPods, instruments?
Imagine Waking Up Tomorrow and All Music Has Disappeared (2015 )
