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Movie
Alice Diop's enchanting short film, a work of transcendent transformation, shows how the rough lines of Drancy station are immortalized in watercolor by the French artist Benoît Peyrucq. A tribute to a location fraught with historical and contemporary poignancy.
RER B (2017 )
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You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.
Casa Roshell (2017 )
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As the ultimate enfant terrible of Philippine cinema, avant-gardist Kidlat Tahimik refuses to settle on anything, whether it’s the telling of a colonial past, or any version of this film, which he’s been making and revising for nearly four decades. BalikBayan, which means “returnee” in Filipino, is partly about the homecoming of the historical figure Enrique of Malacca, a Malay who Tahimik first played and brought to the screen in 1979. As the slave of the 16th-century Portuguese explorer Ferdinand Magellan he circumnavigated the Earth, before returning home as a free man. Old footage of Enrique, played by the young Tahimik, is mixed with the fictional story of a mysterious old man, played by the present-day Tahimik, and documentary footage of a contemporary artist community in Baguio, in northern Philippines. In this version, Redux VI, Tahimik continues his quest to reconsider the Philippines’ colonial legacy. Shot on 16mm (1979–1980s) and video (1990s–2017).
BalikBayan #1: Memories of Overdevelopment Redux VI (2017 )
Movie
A working-class mobile home park in Silicon Valley faces imminent closure. Notes From Buena Vista glimpses into the lives of low-income families in one of the wealthiest places in the world.
Notes from Buena Vista (2017 )
Movie
Immediately after the Boston Marathon bombing in April 2013, amateur detectives took the Internet chat rooms to try to find the culprits, looking for details in photographs uploaded to the sites that could point to the guilt of potential suspects.
Watching the Detectives (2017 )
Movie
Alone and far from home, The Kid makes his way through a strange city looking for the means to get through his day. Surrounded by predators he is forced to make compromises merely to survive, his life of exile grows one day longer.
A Drowning Man (2017 )
Movie
Tension has long simmered between Turkish soldiers and Kurdish separatists in southeastern Anatolia and, in 2015, the conflict escalated into a military lockdown. Given the lack of media coverage, locals began filming the empty streets in single-take, one-hour clips which were posted to the internet and then vanished. Coinciding with this event is the falling of the Leonids, a spectacular meteor shower which emblazons the black skies with impermanent light.
Meteors (2017 )
Movie
Gorani people live in Gora, in the south of Kosovo. They are Muslims who speak a Slavic language. Throughout the years they were always used for political games of power between the surrounding nations (Serbs, Macedonians, Bulgarians, Albanians, Bosnians...). This is the first film that deals with the way these people are, not who they are or who they belong to. The film observes their everyday life, diverse culture, rich herds of cows, sheep and shepherd dogs. They work, talk, dance, play music, discuss, preach, pray, walk and sing as the mountains above remind them how ephemeral their existence is.
Gora (2017 )
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A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.
The Dead Nation (2017 )
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A courtroom in Milan is filled with people brought together by random selection. Long interviews lie ahead. Based on the interviews, some of them will be chosen for jury duty. However, The Call doesn’t focus on judicial proceedings, but rather considers people’s sense of justice through the conversations in the waiting room.
The Call (2017 )
Movie
Dalibor K. is an industrial painter, amateur horror maker, the composer of angry songs, painter and a radical neo-Nazi. He is approaching 40, but he is still living with his mother Vera, Aged 63, and is yet to experience the real relationship with a woman. He hates his job, gypsies, Jews, refugees, homosexuals, Merkel, spiders and dentists. He hates his life, but he doesn’t know how to change it.
The White World According to Daliborek (2017 )
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At age 15, Taelor's idyllic childhood abruptly ends after the violent & sudden death of her doting father. Now 26, free-spirited Taelor navigates drug abuse, guns, madness & inherent violence of the rich, white Houstonian ghettos in Trump's America.
Southern Belle (2017 )
Movie
Pole, who are you? This film collage that combines archival and contemporary materials, documentary and staged pictures, press reports, social announcements, sale offers and speech excerpts is an attempt to answer this question. Referring to the Polish tradition of a creative documentary in the style of Wojciech Wiszniewski, the film presents various manifestations of Polishness: patriotic and religious rituals, everyday traditions as well as characteristic landscapes or intimate memories from childhood.
Opera About Poland (2017 )
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Working conditions in the worst-paid jobs in the Czech Republic were examined by journalist Saša Uhlová during six months. She spent several weeks in a hospital laundrette, poultry house, cash register or waste sorting facility. Her experience became the basis of a lived and very personal report of invisible employees working in appalling conditions. Uhlová wrote a series of reports on her project that were published on the Alarm website. Apolena Rychlíková made them into a documentary film consisting of scenes shot at Uhlová's home and video footage taken during her work. Uhlová accompanies the picture with read commentary.
The Limits of Work (2017 )
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Konrad (18) lives in a small mining town in southern Poland. He looks up to his favorite action movie heroes, spends hours on the gym and signs up for a body building competition. However, his life changes after he revisits his childhood passion for acting. Will he find his own way?
Call Me Tony (2017 )
Movie
A research center in Sukhumi, the capital of today’s Abkhazia. Legend has it that it was built at the end of the 1920s to create a hybrid between man and monkey. The hypothetical creature never saw the light of day, but people and primates, like sad relics of the past, live together in the derelict wings of the medical institute to this very day. [KVIFF]
Tarzan's testicles (2017 )
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Once a week in Paris a group of individuals from all corners of the world meet in a small room at Centre Pompidou to participate in free French lessons. Asylum seekers, businessmen, doctors, lawyers, and students sit side-by-side and immerse themselves in polite, if stilted, conversation. However, tensions and misunderstandings occur as the nuances which each participant attempts to express become lost as they struggle to access the language. But despite their differences - and linguistic limitations - the disparate group of strangers in a foreign land find, in the small gestures and subtle looks between the words, a way towards understanding.
Atelier de conversation (2017 )
Movie
Two women spend a weekend in the North Sea. One of them will soon return to her family in Argentina, whereas the other one will try to come a step closer to the ocean. She will cross the Atlantic Ocean on a sailing vessel. Time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. When the other one reappears, the wind is still in her hair while the ground beneath her feet is solid. She returns and the other one could ask: “Have you changed?”
Drift (2017 )
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Five years ago Kisilu, a Kenyan farmer, started to use his camera to capture the life of his family, his village and the damages of climate change. When a violent storm throws him and a Norwegian filmmaker together we see him transform from a father, to a community leader and activist on the global stage.
Thank You for the Rain (2017 )
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An immersive and enthralling journey through the Sonoran Desert on the U.S.-Mexico border, El Mar La Mar weaves together harrowing oral histories from the area with hand-processed 16mm images of flora, fauna and items left behind by travelers. Subjects speak of intense, mythic experiences in the desert: A man tells of a fifteen-foot-tall monster said to haunt the region, while a border patrolman spins a similarly bizarre tale of man versus beast. A sonically rich soundtrack adds to the eerie atmosphere as the call of birds and other nocturnal noises invisibly populate the austere landscape. Emerging from the ethos of Harvard's Sensory Ethnography Lab, J.P. Sniadecki's attentive documentary approach mixes perfectly with Joshua Bonnetta's meditations on the materiality of film. Together, they've created an experience of the border region like nothing you've seen, heard or felt before.
El Mar La Mar (2017 )
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A sixteen year old with Asperger's creates telenovelas at home with his 97-year old grandmother.
The Creator of Universes (2017 )
I Am Gagarin (2017 )
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A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.
One Ticket Please (2017 )
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Old women prepare for an event. They are told how to walk, they wear numbers and try to succeed in the selection process. These women are Holocaust survivors. And the event is a beauty pageant.
Miss Holocaust (2017 )
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Living among the percebeiros of the Coast of Death (Galicia), this documentary shows a unique relationship between man and his surroundings, man and the sea. At the end of Europe, years after the Prestige oil spill disaster, these fishermen face an uncertain future.
Seafighters (2017 )
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In the familiar surroundings of their everyday lives, they talk about things that matter to them, about experiences that move them, about first love and loss, hopes and fears. 13 adolescents from a school in Donbass which was destroyed during the war in Ukraine, and subsequently rebuilt, share themselves in front of the camera. 13 lives inhabiting an intermediary space, both emotionally and socially.
School Number 3 (2017 )
Movie
At the Gaomeigu Observatory in China, the Naxi people scan the sky, convinced they are the descendants of immortal beings living there, abandoned on earth to watch them. Between astronomy and legends, Marko Grba Singh seems to compose a mysterious and polysemous tableau. From folk tales heroes such as William Tell, Prince Marko or Sanduo for the Naxi, passing by a miraculous catch, Gods besotted with each other, or the absence of walls built around a city because of the ambiguity of Chinese characters, 'Stars of Gaomeigu' dresses the bodies and contemporary images of mythological tales.
Stars of Gaomeigu (2017 )
Movie
Erna and Dževad are the owners of a pub in the vicinity of a steel mill, a complex that used to be one of the largest of its kind in Eastern Europe. Taking place one week before the pub’s official closedown, the film follows a series of conversations between visitors and frequent guests, who discuss the ways of reaching Germany – a new utopia of former socialist workers.
The Steel Mill Cafe (2017 )
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Dos Islas is a poetic story about old age, family and the bond between a granddaughter and a grandmother. The woman, who just turned 102, tells stories about her past and childhood. In a literary and visual way she describes the most minute details. The film dazzles the viewer with love and optimism, the time passes slowly between the two islands, which might be real people, real places or the products of the main character’s imagination.
The Island (2017 )
Movie
On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.
Sunny Night (2017 )
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Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.
High Cities of Bone (2017 )
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Justyna is a nine year old girl who is training professionally rhytmic gymnasts. Her life is filled with trainings and competitions, where she often has to exceed their own limits and weaknesses. Every day she needs to be stronger and more determined if she wants to beat her colleagues in all competition races. Despite all the enormous efforts she not always manages to stand on the podium. When she loses her hopes for wining she decides to start training five-year gymnasts by herself.
One Two Zero (2017 )