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Shot in 1950 upon arriving in America, Mekas did not edit and present the footage until 2003 making this both his first and last film shot on 16mm.
Williamsburg, Brooklyn (2003 )
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An intimate look at Gypsy refugees in a Belgrade suburb who make a living by transforming Citroen´s classic 2cv and Dyana cars into Mad Max-like recycling vehicles, which they use to collect card-board, bottles and scrap metal. These modern horses are much more efficent than the cart-pushing competition, but even more important, they also mean freedom, hope and style for their crafty owners. Even the car batteries are used as power generators in order to get some light, watch TV and recharge mobiles ! Almost an alchemist´s dream come true ! But police doesn´t always find these strange vehicles funny... Pretty Dyana is a very funny documentary, but sad in a way... " If Mitic had focused only on the terrible misery these people live in, the film would have been unbearable. Instead, you never know whether you should cry after you laugh, or the other way around " Sara Hultmanm, Goteborg Film Festival
Pretty Dyana (2003 )
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The film illustrates the philosophy of “giving back” to nature, and documents the pinugo, the unique system of sustainable land cultivation developed by the Ifugao to take equal account of forest management and rice growing.This diary film also turns into a travelogue when a group of woodcarvers embark on a trip to Japan to the Takedera temple where they transform a 250-year-old tree, which had been struck by a lightning bolt, into a totem pole.
Holy Wood (2003 )
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Imitations of life consist of ten chapters, each one of which has an individual intonation and cinematographic style. The chapters: In the Future, Jack, Last Thoughts, Portrait, Secret, In My Car, The Game, Scaling, Imitation of Life, and Rain.
Imitations of Life (2003 )
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An elderly man cooks himself some noodles and eats them straight from the pot while watching TV by himself. He dozes off at his job as a security guard. Alone since the death of his wife, the father’s daily life is filmed by his daughter. While turning her gaze on ordinary things like garbage, keys, puppies, flies and lizards, we can almost sense the strong smells of summer and the sound of thunder at night. Suddenly, the father turns and waves to us. The father-daughter bond is expressed here in very few words.
Hard Good Life (2003 )
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Since 1952 countless films, documentaries, and reports have been made about Miková, the small village in Eastern Slovakia with a population of one hundred and fifty from where Andy Warhol’s family emigrated to the US. Focussing on his relatives who still live there, I Am From Nowhere examines the media’s obsession with Miková, thus reflecting on fame, filming as well as being filmed, and on Warhol’s legendary “15 minutes of fame”. More than that however, it is a film about the dreams and hopes of the people there, about the universal human dream of a better life, and an “American Dream”, which turns out to be completely different than expected.
I Am from Nowhere (2002 )
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In this lyrical elegy lamenting the death of Madeleine, her husband, a theater actor, relives his very first memories of her.
Altar (2003 )
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A film about the band.
Electric Orgasm for the Future Generation (2019 )
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Using the reflections and analysis of many renowned intellectuals, this documentary draws a portrait of neoliberal ideology and examines the various mechanisms used to impose its dictates throughout the world.
Encirclement - Neo-Liberalism Ensnares Democracy (2008 )
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An absurdist farce centering around a school in post-Soviet Latvia. After a rather disgusting prank (someone defecates in the school attic), the tyrannical headmistress deems that no one can leave until the culprit is caught. When the photographer's pet python escapes, havok breaks loose.
The Python (2003 )
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An immersive and enthralling journey through the Sonoran Desert on the U.S.-Mexico border, El Mar La Mar weaves together harrowing oral histories from the area with hand-processed 16mm images of flora, fauna and items left behind by travelers. Subjects speak of intense, mythic experiences in the desert: A man tells of a fifteen-foot-tall monster said to haunt the region, while a border patrolman spins a similarly bizarre tale of man versus beast. A sonically rich soundtrack adds to the eerie atmosphere as the call of birds and other nocturnal noises invisibly populate the austere landscape. Emerging from the ethos of Harvard's Sensory Ethnography Lab, J.P. Sniadecki's attentive documentary approach mixes perfectly with Joshua Bonnetta's meditations on the materiality of film. Together, they've created an experience of the border region like nothing you've seen, heard or felt before.
El Mar La Mar (2017 )
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A sixteen year old with Asperger's creates telenovelas at home with his 97-year old grandmother.
The Creator of Universes (2017 )
I Am Gagarin (2017 )
- Free
Movie
Conjuring reality and wonder, "Speak so I Can See You" takes us to a seemingly different era, by exploring the world of Radio Belgrade. One of Europe's oldest radio stations and a true institution of the city, the station still broadcasts original programming and helps keep history, culture and critical thought, as well as everrelevant questions about ourselves and the world, from slipping out of memory and mind. Set at the intersection of an observational documentary and a unique sensory experience, the film conjures everyday scenes at the station and immersing interludes exploring the relationship between sound and the space it inhabits. Through a synesthetic blend of sounds, words, notes, echoes and light, we are taken into a unique cinematic soundscape that doubles as a love letter to radiophonic art and its disarming insight into what makes us remember, understand, think, discover, and feel.
Speak So I Can See You (2019 )
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Encouraged by his daughter and with a broken voice, Jaime Luna (Uncle Yim) –indigenous philosopher, social leader and singer songwriter–, composes a new song about his tumultuous life after 15 years of silence. But this time he will do it with his family, so the memories and interpretations are contradictory and painful. Uncle Yim is an immersion in the identity of a peculiar family shaped by tradition, music and communality.
Tío Yim (2019 )
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A documentary fairy-tale about the struggle for identity in the Hunza Valley set in a village located in the Northern-Pakistan somewhere between the past and the future. A magnificent turquoise lake in between rough, steep cliff surrounds the small village. But the lake hasn’t been always there. One day, an enormous landslide blocked a river. In a few months, this river turned into a huge lake, which is now up to 30km long. Thousands of homes and fields were flooded. Entire villages disappeared forever. Thousands of people got dislocated and had to look for different places where to live. What is left are the stories of those that once used to live there which are passed on from generation to generation.
The Absence of Apricots (2019 )
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A bold documentary in a measured style about the modern-day quest for meaning and personal growth.
Now Something Is Slowly Changing (2019 )
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Pakistani folk artists talk about their struggle to keep a fading art form alive while reminding the world what they are about to lose.
Indus Blues (2018 )
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Two film directors and a writer are in Portugal for an expedition through various images, moments from the history of Western allegorical representation. The writer is Jean-Louis Schefer, and this tale encapsulates his life’s mission.
Danses Macabres, Skeletons, and Other Fantasies (2019 )
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Mosquitos, freezing cold, mysterious taiga. Inhospitable places where thousands of prisoners have suffered. To document abandoned Gulags in Siberia, you have to walk miles in their shoes. This film follows the Gulag.cz team and their third expedition to the remains of an abandoned railway and Gulags in Northern Siberia, where data for virtual museum were gathered.
A Journey to the Gulag (2019 )
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Successful architect ignored by the status quo, indefatigable polemist, old-school bon vivant and holy heretic in the Castro Cuba. Many lives fit in Rodolfo Livingston's, as this portrait of who seems to have been there, has always been ready for the camera.
Livingston: The Man and the Method (2019 )
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Audrius Mickevičius puts the horribly disfigured face of his murdered brother at the start of his film. It is almost a meditation about the question whether a final act like murder can be atoned for in a temporal order – and whether the passing of time allows the victim’s family to forgive. Mickevičius uses the example of two lifers (one of them gets married and wants to have children, the other pours his whole passion into an idea of craftsmanship) and a philosopher with prison experience to make that strange state of suspended life comprehensible.
Exemplary Behaviour (2019 )
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At the beginning of the 1960s, when the French pioneers of cinéma vérité set out to achieve a new realism, and when direct cinema in Québec began to vie for notice, the Baltics wit-nessed the birth of a generation of documentarists who favored a more romantic view of the world around them. This meditative documentary essay – from a Latvian writer and Lithuanian director whose composed touch has long dovetailed with the stylistically diverse works of the Baltic New Wave – pushes adroitly past the limits of the common his-toriographic investigation to create a portrait of less-clearly remembered filmmakers. The result is a consummate poetic treatment of the ontology of documentary creation. Also a cinematic poem about cinema poets.
Bridges of Time (2018 )
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In a remote village called Bostofrio, a young filmmaker breaks the law of silence in order to unearth the story of his grandfather. A series of awkward and funny interviews that reveal the secrets and half truths that are the fabric of rural Portugal.
Bostofrio (2018 )
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Immediately after a Palestinian man signs an online petition, he is thrown into a panic-inducing spiral of self-doubt. Over the course of a conversation with an understanding friend, he analyzes, deconstructs and interprets the meaning of his choice to publicly support the cultural boycott of Israel.
I Signed the Petition (2018 )
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Artist-filmmaker Jessica Sarah Rinland presents Black Pond, a film that explores the activity within a common land in the south of England. Previously occupied by the 17th century agrarian socialists The Diggers, the land is currently inhabited by a Natural History Society whose occupations include bat and moth trapping, mycology, tree measuring and botanical walks. After two years of filming on the land, the footage was shown to the members of the Society. Their memories and responses were recorded and subsequently used as part of the film’s narration. The film does not offer a comprehensive record of the history of humans within the area. Instead, it explores more intimately, human’s relationship with and within land and nature.
Black Pond (2018 )
- Free
Movie
What is left backstage of the heroic videos of our warriors in Ukraine? What do they have to face, one on one, in peaceful life, and where does the war stop?
No Obvious Signs (2018 )
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Following the river flowing through the centre of Sisak, the film creates a portrait of a former industrial city. The river today is a space for leisure and relaxation. However, when we examine the people that live and spend time there, the social conflicts of the transition break out onto the surface. The river reveals the remains of past that were left in the water.
On the Water (2018 )
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A portrait of Maggie, through Swedish everyday life. Maggie always co-ordinates high heels with a beret, and she loves gold. She lives on the 15th floor in one of Malmö’s suburbs. Her balcony is littered with reminders of her previous life. Under a golf bag, next to a racing ticket from 1999, are the remains of a pigeon that she killed when she couldn’t sleep.
Maggie in Wonderland (2008 )
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A motor-sports spectacle that kicks up plenty of dust. On the trail of the 2007 Dakar Rallye ‘7915 KM’ undertakes a search, along the way encountering the variety to be found in Africa’s present in Morocco, Sahrawi Republic, Mauritania, Mali and Senegal. ‘7915 KM’ demonstrates the extent of this distance, which is the result of political and economic conditions, and also the ideas and prejudices to be found in both Europe and Africa. It also makes the closeness tangible, which becomes clear in the stories of everyday life, work, hopes and worries. Keeping the sobering reality in mind, it creates an homage to humanity and slowness which questions deep-seated perceptions and the role of Europeans in numerous, presumably African, problems.
7915 Km (2008 )
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Thirty years old, a nothing job, a timid love affair: Rémi is a little at sea in his life. Until the day when he must share it with his double, another him, invasive and not so nice. Which one will be the true Rémi?
Two Rémi, Two (2015 )
- Free
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During the Great Recession, joblessness exceeds 20 percent east of the Anacostia River in Washington, DC. City of Trees follows the intimate stories of Charles, Michael and James, three long-term unemployed residents struggling to gain employment through 'shovel ready' green projects. When stimulus dollars run out, short term idealism clashes with day-to-day survival in the struggle to find a sense of purpose and place in a recovering economy.
City of Trees (2015 )