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Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.
Satan Satie (2016 )
EGOnomics (2016 )
Movie
A poetic documentary about the lost film culture in the small villages on the Croatian islands during the SFR of Yugoslavia.
Islands of Forgotten Cinemas (2016 )
Movie
One day almost everything turned into a pile of rubble and bush. There remained ghosts wandering through the fields, the ruins and the fog. Some of these ghosts are alive. They are those who stayed, those who came back, those who roam the difficult memories of the most cursed neighborhood of the city. Only that this Tarrafal, the name of the field of slow death of Salazar's dictatorship, is not in Cape Verde but in Portugal.
Tarrafal (2016 )
Movie
In the industrial city of Kawasaki, on the corner of the street where my grandparents used to live, bettors of keirin — a cycling race developed in post-war — gather in a tiny bar busy drinking, chatting and gambling at the velodrome nearby. Most are old men who struggle to make a living for themselves; most have lived in this town their whole lives. This film frankly captured with a fixed camera, gives voice to the lives of the elderly men who have been left behind by Japan's economy.
Kawasaki Keirin (2016 )
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She is spending her life defying gravity on the vertical road that literary has no beginning or end, where she has nothing to hope for, where only injury or death can happen to her. She has only her memories.
Wall of Death, and All That (2016 )
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Inaugurated by the military government of Lanusse and built under the motto "The neighborhood of the year 2000", Lugano I and II today is a place full of signs and routes that its ideologists left programmed forever. The film moves between the ghosts of the past and life in the present
Implantation (2016 )
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The body of a young Polish woman is found in a suitcase on a London canal adjacent to a block of flats. The filmmakers invite the residents to reflect on how the murder has affected them. Through their stories we are provoked to think about our own relationship to the strangers living in our midst.
Touched by Murder (2016 )
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A blind man’s inquisitive hands explore a sculpture.
Expression of the Sightless (2016 )
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A man decides to buy a flat in a controversial district of the city. An abandoned area can be seen from this building, a factory with a glorious past, laying there while waiting for a sumptuous, well-structured restoration project. At the same time, a rom family has been living for a long time in a camper there, trying to fit in this space. Far from there, an old worker, keeps his passion for aircrafts and dreams to have one last flight. Sounds and movements linking environment and man, and representing a shared dignity in facing the seasons that go by.
All Confession Oeuvre (2016 )
Movie
This is a documentary made after the Fukushima nuclear accident by movie sound engineer Gilles Laurent, who died in a terrorist attack in Belgium on March 22, 2016. It tells the story of parents that stayed behind in the evacuated Tomioka town, and a couple that temporarily returned to the restricted residential area (at the time) in Minami Soma, from the temporary housing where they were staying. This film, which was completed by his Japanese wife and friends, carrying on the desires of the director, and was officially invited to the Marseille International Documentary Film Festival.
Abandoned Land (2016 )
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The old paternal house of the Le family, set in a rural scenery at the fringes of the small town of Ninh Hoa, close to the southern coast of Vietnam: A household dominated by women, neither rich nor poor, with chicken behind the kitchen and rice paddies bordering the plot. Through the everyday life of the inhabitants of the house, the constellation of the extended family becomes visible. A constellation that is fundamentally marked by the course that history took in the second half of the 20th century, and that has made Germany a substantial reference point in the life of the Le family.
A House in Ninh Hoa (2016 )
Movie
Just like in 1985, today Ignacio Agüero is back interrupting filmmakers during shooting, but not to ask what he did thirty years ago, but to find out what is purely cinematographic in what they film. These conversations are related to images in the director's personal archive, as if what is truly cinematographic was found among bits that were never made for the screen.
Como me da la gana II (2016 )
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Teresa and Ornella are sisters utterly devoted to one another despite a deeply buried secret between them.
Between Sisters (2015 )
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This essay film tells of the ocean as a place of yearning, of the world of giant container ships and their crews, and the women that wait for them in ports and drinking holes. The protagonists' thoughts are rendered as inner monologues in voiceover, all set to striking documentary images.
Exotica, Erotica, Etc. (2015 )
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Lithuanian photographer, the legend of Soviet Sixties' generation Vitas Luckus tragically passed away in 1987. Yet the life and times of the talented rebel still impassion and lead us to a journey questioning why, at all times, we are wary of those who are really free.
Master and Tatyana (2015 )
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How do Europeans deal with their recent dark history (the wars, dictatorships and occupations)? What traces are etched?
Battles (2015 )
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Daniel is a young man. Daniel is a student and a writer. Also Daniel is a pedophile. He is in love and makes no secret of his sexual orientation; even not in front of the parents of his beloved boy. Daniel has never hurt any child. What is the way of the most intimate of feelings in Daniel's and his friends' heart? The film introduces the rises and falls of people living with pedophilia. It portrays Daniel and the Czech community of pedophiles. It narrates a story of forbidden love and a constant struggle to come to terms with oneself and the society.
Daniel's World (2015 )
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I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
I Don't Belong Anywhere: The Cinema of Chantal Akerman (2015 )
Movie
In August 1991 a failed coup d'état attempt (known as Putsch) led by a group of hard-core communists in Moscow, ended the 70-year-long rule of the Soviets. The USSR collapsed soon after, and the tricolour of the sovereign Russian Federation flew over Kremlin. As president Gorbachev was detained by the coup leaders, state-run TV and radio channels, usurped by the putschists, broadcast Tchaikovsky's "Swan Lake" instead of news bulletins, and crowds of protestors gathered around Moscow's White House, preparing to defend the stronghold of democratic opposition led by Boris Yeltsin, in the city of Leningrad thousands of confused, scared, excited and desperate people poured into the streets to become a part of the event, which was supposed to change their destiny. A quarter of a century later, Sergei Loznitsa revisits the dramatic moments of August 1991 and casts an eye on the event which was hailed worldwide as the birth of "Russian democracy".
The Event (2015 )
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The film follows the staging of the opera Olimpiade while at the same time exploring the dramatic life of its composer Josef Mysliveček, a friend and teacher of W. A. Mozart.
Confession of the Vanished (2015 )
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An intimate portrait of the pioneering artistic collective Grupo de Cali, whose work is now considered a fundamental part of Colombia’s film history.
It All Started at the End (2015 )
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Minotaur takes place in a home of books, of readers, of artists. It’s also a home of soft light, of eternal afternoons, of sleepiness, of dreams. The home is impermeable to the world. Mexico is on fire, but the characters of Minotaur sleep soundly.
Minotaur (2015 )
Movie
Thirty years old, a nothing job, a timid love affair: Rémi is a little at sea in his life. Until the day when he must share it with his double, another him, invasive and not so nice. Which one will be the true Rémi?
Two Rémi, Two (2015 )
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A look at the life, work and importance of Czech filmmaker Karel Zeman (1910-89), a genius of world cinema, a wizard of special effects, revealing his sources of inspiration and his revolutionary filming techniques.
Film Adventurer Karel Zeman (2015 )
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To say life in Vilnius, Lithuania, during Soviet occupation was tense would be an understatement. People were followed and photographed; restaurant dinner plates were bugged to catch potentially illicit conversations; car accidents were staged to waylay people while surveillance equipment was installed in their apartments; and many were detained, interrogated, imprisoned, or worse. Through expertly assembled KGB archival footage, earnest present-day interviews, and cleverly crafted returns-to-the-scene-of-the-crime, directors Maxì Dejoie and Virginija Vareikyté present an acutely compelling contemplation of a “non war” from both sides.
When We Talk About KGB (2015 )
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Three Generations silenced by a gruesome family secret and a society refusing to see reality behind closed doors. No Lullaby tells the story of the life and death fight that a mother and her daughter must lead to break the silence.
Nirgendland (2015 )
Callshop Istanbul (2015 )
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Mariana is a young woman looking to fulfill the dream she was once committed with when she left her parents’ house to live with Alex, in Lisbon. When he leaves to New York, she cannot bear what has been left for her. Even though the return seemed unthinkable, she goes back to the North. The burden of failure and the crossing of a legendary river, lead her to an ancient tale: once you cross the river of forgetfulness, your own past will also be forgotten. Alex returns while she is searching for a new setting for herself. He no longer believes in this country. She has gotten closer to the place where everything has started for her. He will leave. She will not return.
A Girl of Her Age (2015 )
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Sergey Astahov is a gay man converted by Church and state propaganda into an orthodox pro-Putin activist. Composed of terrifying images from Astahov's blog, this documentary by contemporary artist Oleg Mavromatti is the most radical insight into today's Russia and its ideological clashes.
No Place for Fools (2015 )
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Every family has its secrets, the family of Portuguese filmmaker Mourão included. As the granddaughter of the well-known writer Tomaz de Figueiredo, she picks apart several of them in an intimate yet universally meaningful way. As such, her film also becomes a portrait of dictatorship and resistance and of the urge to create art.
The Wolf's Lair (2015 )
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Abdul & Hamza, two Somali immigrants, are hiding in an abandoned house near Serbo-Romanian border.
Abdul & Hamza (2015 )
