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Movie
To say life in Vilnius, Lithuania, during Soviet occupation was tense would be an understatement. People were followed and photographed; restaurant dinner plates were bugged to catch potentially illicit conversations; car accidents were staged to waylay people while surveillance equipment was installed in their apartments; and many were detained, interrogated, imprisoned, or worse. Through expertly assembled KGB archival footage, earnest present-day interviews, and cleverly crafted returns-to-the-scene-of-the-crime, directors Maxì Dejoie and Virginija Vareikyté present an acutely compelling contemplation of a “non war” from both sides.
When We Talk About KGB (2015 )
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Three Generations silenced by a gruesome family secret and a society refusing to see reality behind closed doors. No Lullaby tells the story of the life and death fight that a mother and her daughter must lead to break the silence.
Nirgendland (2015 )
Callshop Istanbul (2015 )
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Mariana is a young woman looking to fulfill the dream she was once committed with when she left her parents’ house to live with Alex, in Lisbon. When he leaves to New York, she cannot bear what has been left for her. Even though the return seemed unthinkable, she goes back to the North. The burden of failure and the crossing of a legendary river, lead her to an ancient tale: once you cross the river of forgetfulness, your own past will also be forgotten. Alex returns while she is searching for a new setting for herself. He no longer believes in this country. She has gotten closer to the place where everything has started for her. He will leave. She will not return.
A Girl of Her Age (2015 )
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Sergey Astahov is a gay man converted by Church and state propaganda into an orthodox pro-Putin activist. Composed of terrifying images from Astahov's blog, this documentary by contemporary artist Oleg Mavromatti is the most radical insight into today's Russia and its ideological clashes.
No Place for Fools (2015 )
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Every family has its secrets, the family of Portuguese filmmaker Mourão included. As the granddaughter of the well-known writer Tomaz de Figueiredo, she picks apart several of them in an intimate yet universally meaningful way. As such, her film also becomes a portrait of dictatorship and resistance and of the urge to create art.
The Wolf's Lair (2015 )
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Abdul & Hamza, two Somali immigrants, are hiding in an abandoned house near Serbo-Romanian border.
Abdul & Hamza (2015 )
Movie
As a World Bank team visits an Egyptian village to investigate the transformation in agricultural management system, a TV presenter prepares a couple of episodes on the life of village women and a group of students visit a museum in Cairo with artificial figures that are supposed to resemble the life of Egyptian farmer.
The Visit (2015 )
Movie
A mentally handicapped young man decides to leave the security of his family in order to search for the purpose of his existence; whether it is freedom, sexual experience, or death.
David (2015 )
Movie
Carlos Reichenbach talks to Eugenio Puppo about some of his shorts films "Esta Rua Tão Augusta", "Sangue Corsário" e "M da Minha Mão" and specially the film "Lilian M: Relatório Confidencial". Explaining production details and revealing internal informations the film is a reconstitution about Reichenbach's works whitin turmoil moments of the country and his own career.
Carlos Reichenbach: Relatório Confidencial (2015 )
Movie
Mountain Fire Personnel is an experimental documentary that explores a wild fire near an evacuated mountain tramway in Southern California. Using amateur footage, internet media and professional camerawork, the film surveys an area occupied by firemen and California State prisoners.
Mountain Fire Personnel (2015 )
Movie
A self-proclaimed videographer prodigy sets out to lose his virginity as the 21st birthday present to himself. Not only does he manage to persuade a female acquaintance and two of her friends to come to his dacha, he makes sure they watch a retrospective of his work, and his seduction dances, in full. A terrifying night lies ahead of them.
Belarusian Psycho (2015 )
Movie
By constructing, re-filming and hand animating the photographs and objects, island is no more an geographical term, but a state of mind, in which the film as a process and medium to express nostalgia and reexamine my relationship among land, nation and identity.
The Islands (2015 )
Movie
The Forensic Psychiatric Hospital is a medium-security level, closed structure, with a rehabilitation component. The service provided includes psychiatric, psychological, medical, therapeutic and social care. The 32 men who inhabit the unit were considered exempt from punishment by the court. They feel time going by. Slowly. The film settles in this individual time.
Maybe Desert Perhaps Universe (2015 )
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On 18 September 1929, José Régio sent a letter to Alberto Serpa expressing his desire to create a production company and start making films. For almost 90 years, nothing more was known: no reply was ever found and Régio never mentioned the subject again. The discovery of some old reels in a collector’s hoard seems to provide the ending to the story.
The Glory of Filmmaking in Portugal (2015 )
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The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?
IEC Long (2015 )
Movie
Stonecarvers, masons, carpenters, smiths, electricians, woodworkers, restorers, goldsmiths: the extraordinary, never-ending saga of the fabrication of Milan Cathedral is portrayed in the light of the sacredness of a building that lives through times, rhythms, calendars and aspirations that merge with and transcend the labor of men and women. The anonymous, humble, painstaking everyday care required by a structure such as the Cathedral, over the years and still today, reveals the magnificence of human action that spans time and generations, holding within itself a grand humanist sentiment.
The Never Ending Factory of the Duomo (2015 )
Movie
Andrew Kötting's film retraces John Clare's journey from Epping Forest to Northamptonshire accompanied by a straw bear.
By Our Selves (2015 )
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“Since 2011, as an author and in a frantic and committed fashion, I record music and dance expressions of various kinds all over the country. From a great conversation with film director Inês Oliveira, who followed my work for a while, I raise fundamental questions in this film: Why do I do what I do? What is this all about? What are the relationships with the people? What differentiates me from scientific work? What is tradition?” — Tiago Pereira.
… because I am not the 21st Century’s Giacometti (2015 )
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A meditative film explores the effects that examining consciousness and a microscopic view of one’s inner self have on the rationalism that scientists are expected to have. Even though each has a different approach, a physicist and an economist have similar, indescribable experiences, which they can only show through ‘reflections’. Efforts to change a flat map into an actual landscape lead to an unaffected re-examination of the foundations of our society, in which the myth of objectivity often covers up the manipulation of the powers-that-be, and the desire for deeper knowledge may be the driving force for the military industrial complex just as much as for getting a degree.
Buttons of Consciousness (2015 )
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The film tells a very personal story from two perspectives: our protagonist is both doctor and patient. As a patient, he has struggled with recurring depression for years, and as a doctor he wants to find out why. The search for the origins of his illness leads him into the realm of his own genes and casts light on the fundamental changes facing modern society as a result of the tremendous progress being made in the field of genetic sequencing. Along the way, he meets a host of people – researchers, artists, visionaries – who have developed their own very individual approach to genetic coding and are drawing attention to the social significance of genetic technology. The film does not restrict itself to a scientific view of the subject but also makes use of artistic visions and more playful approaches to genetic blueprints.
The Dark Gene (2015 )
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A response to Stan Brakhage’s The Act Of Seeing With Ones Own Eyes which creates a blunt statement on the human condition by depicting human autopsies. Necropsy of a Harbour Porpoise (Seeing From Our Eyes Into Theirs) examines the ever-enigmatic whale by revealing its interior, taking away its mystery and disparity, highlighting similarities between seemingly contrasting, expired organisms.
Necropsy of a Harbour Porpoise (Seeing From our Eyes into Theirs) (2015 )
Movie
Moldova. One winter day, Raisa travels into the city hoping to get something that could change her life.
Raisa (2015 )
Movie
“God Is Not Working On Sunday!” follows the life of Godeliève and Florida. Despite their divided histories, these women are struggling for a common goal: Breaking the silence, reconciliation, and political empowerment for women. We follow Godeliève and Florida organizing self-empowerment trainings for women to confront patriarchal structures; to the rural area, where the new generation of children born out of rape are redefining their identities, facing a life shoulder to shoulder with the murderers of their families, their fathers. And where more and more women decide to break the silence and speak out.
God Is Not Working on Sunday (2015 )
Czechs Against Czechs (2015 )
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Mainland tells the story of twelve-year-old Colin Macleod, who sees the world around him change fast as he realizes that the isolated island he calls home, is getting too small to chase his dreams. On the other hand there's Colin Mackenzie, an old shepherd who has returned to the island after years of wandering around. Gradually he comes to the conclusion his beloved island will never be the same.
Mainland (2015 )
Movie
Director Manuel Mozos draws an intimate portrait of João Bénard da Costa, programmer, critic, actor and, for 18 years, director of the Portuguese Film Museum, who passed away in 2009.
João Bénard da Costa: Others Will Love the Things I Have Loved (2015 )
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Film observes the daily routine at an official day labourers' office in Berlin Neukölln. A magnifying lens of modern day working society, as a documentary chamber play.
Work for One Day (2015 )
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While investigating her late parents’ involvement with the Anglo Iranian Oil Company (BP), the filmmaker comes across the letters of a petroleum geologist in Iran in the 1930s who was later to embark on a search for the origins of civilisation. The Host sets out on its own exploration, to decipher signs from the fragmented images buried in the BP archive. This journey through the past interweaves a number of stories drawn from both personal memory and the records of an imperial history, which builds a picture of a 20th-century colonial encounter. The Host is a personal essay film about the stories we tell about ourselves and others, the facts and fictions we live by, and their consequences. Followed by a discussion with Miranda Pennell.
The Host (2015 )
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What happens when 11 world-renowned avant-garde artists are invited to a luxurious resort in the Adriatic where they can do nothing but rest? Attila Csernik (Serbia), Radomir Damnjanović Damnjan (Serbia), Željko Kipke (Croatia), Ivan Kožarić (Croatia), Vlado Martek (Croatia), Era Milivojević (Serbia), Romelo Pervolovici (Romania), Pinczehely Sandor (Hungary), Balint Szombathy (Hungary), Janos Sugar (Hungary) and Ilija Šoškić (Montenegro) are still in full artistic sway.
Artist on Vacation (2015 )
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The story of Pirimze is told through the architecture of a building in Tbilisi known as Pirimze. The building touches upon the 1970s, when this luxuriously designed edifice served as an exemplary design in Georgia. In the 1980s the building became the site of incredible amount of wealth creation. It also talks about the 1990s, when it decayed and operated in an improvised and chthonic way. After the independence of Georgia, just as the Soviet Union collapsed and broke up into different countries, Pirimze ‘exploded’ and smaller workshops with identical names sprung up in the surrounding neighbourhood, where the ‘debris fell.’ We visit these workshops and observe fascinating skills performed by craftsmen who used to work in the Pirimze. We also visit the newly renovated business centre Pirimze Plaza, which replaced Pirimze and question the need and motives of this transformation.
Pirimze (2015 )
Movie
May a building have its own reincarnation? Once upon a time, there's a region of canal's dockyard in the center of Tainan city in Taiwan. Later in 1970s, the canal gradually lost its function and the large residential and commercial mixed mall "China Town" had been built at the site. China Town was once the most prosperous mall in the city, however, by more than three decades of rise and fall, the city's authority planned to demolish the building for urban renewal plan. The China Town makes no exception of those failing shopping malls all around this island. As for those residents who have lived in the China Town for a long time experience most of the death and life of the city.
In Memory of The Chinatown (2015 )
