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Through conversations with an array of Norwegian writers, filmmakers, psychiatrists, artists and more, Izquierdo investigates the impact of both the film and novel Sult by Knut Hamsun on generations of Norwegian culture and artistic practice, while exploring how it could speak about what it means to be an artist today.
Crimes of the future (2019 )
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Somewhere in the mountains, a man lives alone in a disappearing village. Wandering through the misty nature, interpreting among the walls of his dark houses, on the very ground with his destiny to belong to a world that has been rejected.
Outside the Oranges Are Blooming (2019 )
Sisters of the Trees (2019 )
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Refusing to pay for the debt, two Athenians decide to leave their city. Guided by mysterious crow calls, they wander through a desolate urban landscape until they reach a zone of passage and are spirited to an ancient forest, the Realm of the Birds. Here they meet the Hoopoe, half-bird half-woman, who tells them how the birds live by sharing their resources amid the magical forces of the forest. However, one of the men has other plans for the birds. Though far from easy, the inter-species encounter will be illuminating for all.
Common Birds (2019 )
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This short film/video installation uses anecdotes that gamers share on internet forums to reflect on the feedback between the world of dreams and the video games.
Featherfall (2019 )
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In the Claws of a Century Wanting explores the harsh lives led in the backstreets of the port, a world of busy working people, ships, cranes and stacks of huge containers. We follow the lives of five people exposed to the everyday violence that is poverty.
In the Claws of a Century Wanting (2019 )
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A bike messengers crew based in Madrid, specialized in long-distance travels, fly to Japan with their fixed-gear bikes. Inspired by the legendary Japanese Odyssey, they ride without any assistance through 22 stages and more than 1,200 km.
Maybe Die (2019 )
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A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.
Color-Blind (2019 )
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Karla is 6 years old and has a big brother named Nordahl. Why does she consider him both as a big- and a little brother? We get an insight into Karla`s world and how she deals with having a big brother with learning difficulties The director followed her own children through a winter showing the everyday life, including both demanding situations and heartfelt love.
Karla and Nordahl (2019 )
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A biographic documentary about a punk-rock icon who surpassed the music and became a symbol of common sense and free thinking.
Tusta (2019 )
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Since the border between France and Italy was closed in 2015, the Roya valley has become the symbol of insubordination. Migrants stranded in Ventimiglia continue to pass, bypassing roadblocks and controls, helped by certain inhabitants of the valley. In this enclave where migrants hope to achieve a better future, the solidarity of the inhabitants has become an act of resistance. Through the story of those who are illegal to uphold fundamental rights, Paroles de bandits tells the story of this territory and so many others ...
Words of Bandits (2019 )
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Tayra and I grew up on a beach in the north east of Brazil. We were inseparable. The sea breeze brings me back happy memories.
Guaxuma (2019 )
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Through a feminist lens, the filmmakers pay homage to their professor Marija Ujevic Galetovic - one of Croatia's most important sculptors. Marija's life story and views are told through a combination of video footage and animation of her feminine sculptures.
A Cat Is Always Female (2019 )
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Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.
No Crying at the Dinner Table (2019 )
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One night seven years ago, Rafael came home after work and discovered that people he did not know had come looking for him. He immediately fled, without looking back. From that moment on, his life changed, as if that night had never ended. One evening, around an improvised fire near a factory, he decides to confide his journey to a stranger. Rafael’s intimate account meets the collective testimony of an entire nation oppressed by poverty, police repression and institutional corruption.
Seven Years in May (2019 )
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Searching for a lost image of home and identity.
Stack of Material (2019 )
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Laosan, a young family man, spends all his time smoking opium. For his community, lost in the heart of the Laotian jungle, opium farming is the only way to survive. But opium is also the poison that puts men to sleep and kills their desires.
Century of Smoke (2019 )
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After a long period of isolation, Antonin rediscovers the world in a bird shelter where, rocked by the noise of planes, troubled souls are saved just as much as the birds.
Bird Island (2019 )
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Hundreds of boxes left by the famous uruguayan musician and political activist Alfredo Zitarrosa (1936-1989) who run away the dictatorship in the 70s, have not been touched since his death 27 years ago. Now his wife and daughters are trying to save the memories, tapes, music and sound recordings that the boxes contain to the posterity.
Absence of Me (2019 )
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This documentary interweaves fantastical re-imaginings of buried secrets with the Deathless Woman’s ghostly narration and testimony from survivors and witnesses of historic and contemporary crimes against the Roma in Poland and Hungary.
The Deathless Woman (2019 )
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Bab Sebta is built of a series of reconstructions of diverse situations observed in Ceuta, a Spanish enclave in the North of Morocco. A place where manufactured goods are entering the state exempt of taxes, to be sold at a discount prices in the cities of northern Morocco. Every day, thousands of people engage in cross-border exchanges of all kinds, more or less legal. Based on situations witnessed while crossing the border, this experimental video reconstructs the mise-en-scène of this unique place, involving real smugglers and police reports on trafficking, tricks and occasional tragedies.
Ceuta's Gate (2019 )
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Almost two decades ago, the Itoiz dam flooded seven villages and three natural reserves on the Pyrenean hillside in Navarra. The ecologist group Solidari@s con Itoiz registered the fight against its construction. Today, those who were there dream of the land lying beneath the water on video. Their voices and gestures come together to tell the tale of an individual and collective mourning still suffered today.
Land Underwater (2019 )
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The life of the Peruvian poet Javier Heraud, who sadly passed at the young age of 21, told by his great-niece Tania through letters, poems and tales of shared times.
The Journey of Javier Heraud (2019 )
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In South Ethiopia, an ambulance driver has to bring a young lady to the hospital for delivery, but the nearest one is 300 km far from the village. It’s a long journey along a road full of mud.
Mud Road (2019 )
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Some time ago they would come here to walk their dogs, play with their kids or jog. Today they are two hostile parties fighting over a patch of ground in a park. Every Sunday half of them come to pray by a wooden cross, and another half is there to defend a small spot of land, which they want to stay public. Who could have imagined such a confrontation in a country which had been fully secular, even atheistic for decades? Still, a collision between orthodox believers and local dwellers, who don’t want to have a new church instead of a park or a public garden is quite common in the Russian capital these days. “200 Churches” development project started by Russian Orthodox Church in cooperation with Moscow government provoked several severe conflicts in the city.
Sacred Ground (2019 )
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Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.
Village of Women (2019 )
C.I.T.A. (Cooperativa Industrial Textil Argentina) (2019 )
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A mixture of fiction and documentary depicts the life of Iranian musician Ibrahim Monsefi, who died in 1997, with a voice-over carrying the spectator as the camera drifts through the city of Bandar Abbas.
None of Your Business (2019 )
The Panelist (2019 )
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In an attempt to find meaning to the concept of ‘Home’, the filmmaker trains her camera to examine her intimate surrounding through examining her aging parents’ daily life over the course of seven years since the beginning of war in Syria.
Sugar Cage (2019 )
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This documentary portrait covers all the themes of Daveau’s rich life: from her field research and private life to feminism and the influence of the modern age on family relationships and science. Her passionate life is examined in detail in an inexhaustible series of stunning archival photos and home videos recorded by Daveau, and in voice-over she speaks openly, extensively and full of wonder about life and the world around her.
Suzanne Daveau (2019 )
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The desert East of L.A. is a land of fractured time, rotting nostalgia, and esoteric energy. Out here, we’re all ghosts.
Tourists (2019 )
