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One port, the discovery and two bodies in motion.
Shake Up Brazil (2017 )
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This documentary film by Rapoport-Bordenave tattoos on the screen the relationship who Juan Carmona, a larch tree worker in the Andes, has with the generosity of nature. Through his broken voice and the melodies hummed by the leaves stirred by the wind, the film envelops us in a space with no floor or roof, inviting us to float in the out-of-focus memories of his previous life as a shellfish catcher.
The Good Night (2017 )
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Carlos has been just born. He is the sweetest of the babies, but his grandmother is very sorry that he’s was born dark skin. Grandfather Sergey Mikhailovich wants to drink to the health of his grandson and celebrate this event, but grandmother doesn’t allows him to drink. Grandfather wants Carlos to know that he was born in the Great Russian Empire. This is Carlos’s first new year, and I made a movie so that he would remember it, and to talk about hilarious and painful things happening in my new family.
Film for Carlos (2017 )
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Giraffe-like construction cranes are avid eaters. They forage around in the woods and fields for their feeds: the collective longing for development and prosperity. As they crane their necks longer, they make the fantasy of progress more alluring. And that is what Chung-Ming Wang steps forward to fight. Left his stable life behind, he devoted himself into local environmentalism in his hometown Tamsui(Danshui), tried to keep it distant from developmentalism that Taipei had been suffered for long. Few years later, he decided to change his way of political participation. This documentary film depicts his third attempt to run in the City Council Election in 2014, including the difficulties and conflicts he encounters and the diverse imaginations toward progress. The film also tries to brings up an important question: do we need more edifices in our city, or we need to find a way to edify ourselves?
Unfinished Progress (2017 )
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This is an observational documentary focused on one of the biggest unfinished bridge projects in the world - Podilsky Bridge in the centre of Kyiv. Its construction started nearly 25 years ago, but was halted in the late 2000s due to lack of investment and overwhelming corruption. The locals have adapted the unfinished bridge to their own needs - from sports and leisure to risky parcour-style attempts at getting from one river bank to another. In the meantime, Kyiv’s mayor Vitaliy Klitschko is trying to figure out a way to complete the unfortunate project - with a little help from German politicians... - DAfilms
The Film of Kyiv. Episode One (2017 )
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Shanghai, 2016. Four Chinese college graduates are brought together through an art project: Xi Roulan, an artist who invites strangers to her home. Qian Kecheng, a freelance illustrator who thrives on the freedom the megacity has to offer. Jiang Bo, a graphic designer, looking for steady employment. Cheng Minxian, a young woman working at one of the city’s most renown event agencies, while living with her parents.While eager for life experience they yearn to lift their careers off the ground. Unified by their passion for life and self-determination, they long for an escape from anonymity.
Traces On My Skin (2017 )
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The ambassador used to come here often, say the young men rooting around with sticks in the undergrowth where the German cemetery used to be. But the treasures hurriedly hidden there by the colonial rulers before they fled are long since gone. And that’s how the road to Yaoundé eventually became overgrown, the area and its inhabitants were left to fend for themselves.
Tinselwood (2017 )
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AFTER THE FUTURE is an exposé about the conflicted and complex life of a long term HIV survivor Ortwin Passon. Despite years of struggle with the physical and mental assaults of HIV, he continues to fulfill his need for unrestrained ecstasy. Privately he battles loneliness and grieves for his past lovers, now long dead. Publicly, Ortwin has a distinguished history of service with the Federal Agency for Technical Relief. For this service he is a twelve time recipient of Public Honours. In 2005 he was awarded the prestigious Federal Cross of Merit for his esteemed work and social engagement. However, he refused this award as an act of conscience against a Government he perceives to be oppressive of his deeply held beliefs with regards to civil liberties. These feelings of oppression are in direct conflict with Ortwin's unrestrained sexual proclivities. At group sex parties, he's having sex with other men under the influence of hard drugs, without using condoms.
After the Future (2017 )
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Earth's "garden" is fragrant with temptations but has far too many "thorns". He got "stung" and fell...got up...and fell, again and again!
Soul Catcher (2017 )
行李箱里的少女 (2016 )
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Analog celluloid strips are disappearing. Is film dying, or just changing? Are the world's film archives on the brink of a dark age? Renowned filmmakers, museum curators, historians, and engineers help dramatize the future of film and the cinema in the age of digital moving pictures.
Cinema Futures (2016 )
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This film does not deal with Chernobyl, but rather with the world of Chernobyl, about which we know very little. Eyewitness reports have survived: scientists, teachers, journalists, couples, children... They tell of their old daily lives, then of the catastrophe. Their voices form a long, terrible but necessary supplication which traverses borders and stimulates us to question our status quo.
Voices from Chernobyl (2016 )
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On July 22nd 2011, Norway experienced incomprehensible terror. However, it was not the first time one in our midst used extreme measures to create fear and panic.
The Grenade Man (2016 )
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Art dealer Salvatore Viviano and director Angela Christlieb embark on a search for the lost artist collective Gelitin, which since the 1990s has shattered the borders of "good taste" again and again with extravagant actions and installations. Interviews with old companions and artist friends in the U.S., Europe, and Asia are linked with anarchically montaged Gelitin archive material: intense, transgressive, experimental, gaudily colorful, funny, and virulent.
Whatever Happened to Gelitin (2016 )
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This is the story of survivors of the Srebrenica genocide, the only holocaust in Europe since WWII. 8,372 Bosnian men and boys were killed in one week.Heartbreaking and mind blowing testimonials - the story told by survivors, contrasted by hauntingly beautiful landscapes and horrifying archive. The film portrays extraordinary characters, people who have been struggling to come to terms with the past as well as dealing with the harsh realities of living in one of the poorest countries in Europe. Their stories raise serious and profound questions about the nature of human existence, war and forgiveness.
The Fog of Srebrenica (2016 )
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“Once upon a time, before people came along, all the creatures were free and able to be with one another”, narrates the voiceover. “All the animals danced together and were immeasurably happy. There was only one who wasn’t invited to the celebration – the frog. In his rage about the injustice, he committed suicide.” Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming “once upon a time” into “there is”. “Afterwards, nothing will be as it was and the melody of life will have changed”, explains a voice off-camera. Golden Bear for Best Short Film 2016
Batrachian's Ballad (2016 )
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Every weekend, the gay male choir G-Voice rehearses in Seoul. The choir, being a kind of antidote to homophobic Korean society, makes the everyday lives of gay men its theme in an intelligent and humorous way. For their tenth anniversary, the members are planning to give their first big concert with ambitious arrangements, creative choreographies and many new pieces. Besides preparing for their big day, G-Voice are also politically active, singing for equality and against discrimination.
Weekends (2016 )
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“An old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift. Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira’s cinema, his method, his way of filming and his extraordinary cinematic inventions. He lived for over a century, over a century of cinema, cinema in its entirety. For him, and for me too now, documentary and fiction films go hand in hand; it is all about cinema. So I had the audacity to film a magnificent story that Manoel loved but never filmed, one that he left behind as if his hand and eyes were close to God, or among the gods, and he was steering me.” - João Botelho
Cinema, Manoel de Oliveira and Me (2016 )
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Juninho, Menor, Neguinho, Adilson and Eldo are young residents of the Bairro Nacional, outskirts of Contagem, in Minas Gerais, Brazil. Divided between work and fun, crime and hope, each will have to find ways of overcoming difficulties and taming the tiger inside their veins.
The Hidden Tiger (2016 )
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Chronicles of everyday life in Iraq before and after the U.S. invasion.
Homeland: Iraq Year Zero (2016 )
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BRICKS IN MOTION is a feature length documentary that explores the lives of individuals involved in the hobby of creating stop-motion animated films with LEGO® bricks and other building toys. Filmed in five countries around the world, the film is a journey through the creative life and struggles of a diverse community of storytellers as they bring their spectacular visions to life.
Bricks in Motion (2016 )
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The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.
In the Darkness of the Theater I Take Off My Shoes (2016 )
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Two morticians, one originally from Portugal and the other a Romani from Serbia, drive to southern Italy from Switzerland in order to deliver a body.
Calabria (2016 )
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After the Nazi gold and the bank secret, the practices of commodities trading and extracting companies based in Switzerland will be the reason for the next defamation of the country. Large parts of the world trade in commodities are handled by companies based in Zug and Geneva. They are known to pay very little taxes and to defy responsibility for environmental damages caused in the extracting countries. TRADING PARADISE shows how this business works and how NGOs try to improve the transparency and liability of these commodities giants.
Trading Paradise (2016 )
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Amidst the depths of despair, a grieving mother finds her voice to challenge the forces of injustice and inspire hope.
Unheard (2016 )
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In the middle of the Jordanian desert, a new tent city, Zaatari, has arisen. Through the eyes of four children, this exceptionally intimate and poetic film sees and feels what it is like to grow up in this unique locale.
Zaatari Djinn (2016 )
Akt (2016 )
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Landslide represents post-revolutionary Ukraine through a community of people who ‘try to build a new society’ in the cracks and pores of a collapsing social system. The film unfolds in central Kyiv, in a space that has been reclaimed from the city by forces of nature. As a result of a series of landslides, the area of Petrivska street has become untenable and was subsequently occupied by the outcasts and outsiders of all kinds. A secretive graffiti team, a group of tech geeks and an avant-garde gay theatre that fled the war in Luhansk all struggle to create a place where they could coexist outside the pressure of dysfunctional social structures. - DAfilms
Landslide (2016 )
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The 1973 story of a Mexican captain's impulsive decision to enter the first regatta to circumnavigate the globe.
The Weekend Sailor (2016 )
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One man's dream of bringing a European cow in his picturesque village in Azerbaijan unsettles the conservative community that wants to keep their secular traditions intact.
Holy Cow (2016 )
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A Russian girl, a Kurdish father. The father lives in Syria, in a town near the Turkish border. The girl joins him to meet her new family and... to find her lost roots. Everything moves forward in fragments, of time and of space. It is not only an aesthetic choice. It is a form consistent with the state of war, with the fragility of existences, with the capturing of reality by the body and by the spirit. But everything moves forward, in its way, carried along by a painful energy that obstinately perforates the borders.
All Roads Lead to Afrin (2016 )
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Almost entirely shot in still shots and revealing the corners of a house floor by floor, this is the filmmaker's second meditation (and a perfect continuation to "Tower House") about a particular architecture, as specific as it is captivating.
A Tropical House (2016 )
