Watch 2006 Movies and TV Shows Online in US
Explore the best 2006 movies and tv shows in US. From box office hits to fan-favorite films and series, discover top-rated titles, trending picks, and hidden gems that made 2006 a standout year for entertainment.
Take a trip back to 2006 and relive the best in entertainment in US. Browse a wide variety of movies and tv shows, including award-winning blockbusters, trending releases, and critically acclaimed favorites. Whether you're looking for action-packed thrillers, heartwarming dramas, laugh-out-loud comedies, or captivating documentaries, 2006 delivered something for everyone. Use Popcorn Time to easily find titles by genre, popularity, or release date, and rediscover the magic of 2006.
From the big screen to small-screen hits, explore the year's most memorable releases and create your own playlist of 2006's greatest entertainment. Start streaming now and see why 2006 remains a favorite among movie and TV lovers.
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The Battle of the Somme was the bloodiest day in the history of England. Since then, debate has raged over the legitimacy of the only combat footage of the battle. Now, a team of investigators is using science to solve this 90-year-old mystery.
Battle of the Somme: The True Story (2006 )
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The Art of Baroque Dance examines 17th century Baroque dance from the sophisticated era of King Louis XIV. It explores the creative process and offers valuable insights into researching, reconstructing, re-creating, and performing a Baroque dance.
Dancetime: The Art of Baroque Dance (2006 )
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After overcoming the loss of his wife of fifty years, a 95-year-old singer-songwriter places an ad in the personals and goes ballroom dancing. He soon finds himself singing and dancing his way into the hearts (and bedrooms) of the women in his life.
Eager for Your Kisses: Love and Sex at 95 (2006 )
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Hamish Fulton describes himself as a “walking artist”. For more than thirty years he has undertaken demanding walks in many parts of the world, and drawn on his experiences to create distinctive artworks using text, graphics and photographs. He aims to “leave no trace” in the landscape, and he acknowledges that his art cannot represent the experience of a walk. “What I’m interested in,” he explains, “is presenting a sort of skeleton of something, and then the viewer fills in what’s missing, maybe from your own experience.” Although they exhibit a striking consistency in their concerns, Hamish Fulton’s artworks can exist as large-scale wall paintings and as modest publications, as graphics to compete with advertising hoardings and as online animations. They are informed both by spiritual ideas and by political questions prompted by our uses of the environment and by specific issues such as land rights.
theEYE: Hamish Fulton (2006 )
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Graham Gussin creates art in an almost bewildering variety of media: film, sound, installation, events, photography, text, painting and more. The key early work Savannah (1990) features a wooden plaque and a wall light, while the production of the ambitious film projection Remote Viewer (2002) involved a trip to Iceland and the services of someone with telepathic ability. Underpinning all of his subtle, witty, often disarmingly beautiful work is a number of consistent concerns and influences: landscape and the notion of the sublime, science fiction cinema and Romanticism, place and movement. Made alongside the most comprehensive exhibition of Graham Gussin's work to date, at Birmingham's Ikon Gallery in 2002, this video profile showcases many of the artist's works, including films and projections such as Beyond the Infinite (1994) and Spill (2000) which plays so productively with time, space and perception.
theEYE: Graham Gussin (2006 )
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Stuart Brisley is perhaps best-known for his disturbing physical performances which pushed his body to extremes. But his work as an artist over four decades has embraced sculpture and installation, films and fictions, large-scale participatory projects and, most recently, the Web. Illustrated with archive footage and photographs, this profile of the artist explores his understandings of collaboration and community, of politics and the market, of humour and failure. At the centre of his diverse work are the essential qualities of what it means to be human.
theEYE: Stuart Brisley (2006 )
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Since the 1960s, when he was associated with British Pop Art, Joe Tilson has enjoyed international acclaim for the individuality and originality of his paintings, constructions, prints and multiples. All of his playful, engaging work is informed with ideas from literature, philosophy, ethnography and alchemy. Tilson’s early work focussed on mass-market consumerism and politics. But he was soon disenchanted with mechanical methods of production and his art in the 1970s and 1980s employed hand-worked wood and metal in intriguing ways. Shot in and around the artist’s studio in Cortona, Italy, this film was produced alongside Joe Tilson’s first British retrospective at London’s Royal Academy of Arts.
theEYE: Joe Tilson (2006 )
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A psychic's ominous reading sends a man into a tailspin.
First Snow (2006 )
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Gereon Krebber’s proposal for a monumental and expensive aluminium object called Tin won the 2003 Jerwood Sculpture Prize. Shot over more than a year, this film follows the creation, casting and placing of the final sculpture. Sitting in the elegant country house garden at Ragley Hall, Tin suggests a kitchen container or a hamburger and yet is at the same time defiantly abstract. Krebber is a young sculptor from Germany who studied at the Royal College of Art and now works in London. The surprising range of his work, and the processes which create it, are revealed here as he talks engagingly about how to create “seriously flippant” objects. His art, made with diverse materials including balloons and Cling Film as well as traditional media, has a unique deadpan humour. Its effect, the artist hopes, is to make you ”smile and shiver at the same time”.
theEYE: Gereon Krebber (2006 )
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Vong Phaophanit showed his strikingly seductive Neon Rice Field when he was nominated for the Turner Prize in 1993. Like much of his rich and complex work since then, this installation exhibits a strong interest in language and light, in the painterly qualities of ephemeral materials and in ideas of cultural displacement. He was born in Laos, educated in France and has worked mostly in Britain since the early 1990s. Much of his work now is commissioned for architectural and environmental settings, including Outhouse in Liverpool. Created like many of his large-scale sculptures with fellow artist Claire Oboussier, this is a transparent glass house (with opaque windows) which serves as a flexible social space for the people who live in the surrounding tower blocks.
theEYE: Vong Phaophanit (2006 )
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At the heart of Dryden Goodwin’s art is a fascination with drawing. But the ways in which he explores this age-old practice are anything but traditional. He combines drawing with photography, film and large-scale screen-based installations. He is engaged with time as well as line, and with the sculptural potential of two-dimensional images. Other concerns in his art are also strongly contemporary: the city, ideas of public and private, voyeurism, desire and emotional distance.
theEYE: Dryden Goodwin (2006 )
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Artists Dalziel + Scullion have worked together since 1993, based in the remote north east of Scotland. Using photography, video, sculpture, sound and installation, they have created a collection of work that is recognised for its distinctive vision and sensitivity to its context and the environment. They are well known for their site-specific works, which include important public commissions, such as Horn, the giant stainless steel sculpture sited on the M8 motorway, which intermittently broadcasts poetry, music and voices at passing cars. They reflect on how these works illustrate the contradiction between the strange hybrid of wilderness and the high-tech, man-made industrial installations found in the remote landscapes of Scotland. The point at which nature and culture intersect is a continuing theme throughout their work, despite a more recent shift in geographical focus.
theEYE: Dalziel + Scullion (2006 )
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A inside look about life during the harsh period of Reconstruction after the American Civil War in rural southern states.
Aftershock: Beyond the Civil War (2006 )
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A young married couple find their relationship and their lives threatened after a beautiful and dangerous seductress moves into their pool house.
Ties That Bind (2006 )
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Karl Weschke‘s impressive, complex paintings picture the human figure and the landscape, the everyday and the mythical. His subjects include dogs and drowned bodies, creatures from legends and, increasingly in recent years, the monumental ruins of ancient Egypt. For more than fifty years, he has explored the possibilities of painting and its relevance to an uncertain world. Produced alongside a retrospective at Tate St Ives, with additional paintings from British collections, this film profiles the artist in the Cornwall that has been his home since 1955. Filmed in and around his studio and in the coastal landscape that informs all of his work, Weschke speaks engagingly about his rich, remarkable life and about many of his most significant canvases. Like his work, the painter is serious, intense, spare – and yet also with an appealing streak of mischief.
theEYE: Karl Weschke (2006 )
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Produced in association with Waringarri Aboriginal Arts at Kununurra in Western Australia, this moving documentary features three women who talk about their paintings as an expression of their relationship to their country. The women share a sense of belonging to their place and express this belonging through dance and song and all of their artistic expressions. On a trip into the bush around Cockatoo Lagoon near Kununurra, they explain the stories of their Dreaming and of their land, and talk of their own experiences growing up as workers on stations in the area. Each artist talks about why they paint - to teach and to share stories about their country with others in the community and wider afield. The film also observes them working on paintings, each giving her personal interpretation of a loved environment and a living culture. The paintings are all very different in style but all express a life-affirming sense of identity intimately linked to their own country.
Walking Dancing Belonging (2006 )
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Not much is known about Jan Vermeer. He only produced around 35 works of art, yet they made him immortal. He was born in Delft and never left the town; he married there, worked as an art-dealer and died in debt. Michael Gill delves into the master's world and talks about the camera obscura and Vermeer's interest in science and cartography. Together with experts, he explores Vermeer's secrets of perspective, space, allegory and symbolic relationships in his works.
Jan Vermeer: Light Love and Silence (2006 )
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When THE DA VINCI CODE, written by Dan Brown, was launched on an unsuspecting literary world, few would have predicted the publishing phenomenon that this incredible book was destined to become. However, mention THE DA VINCI CODE today, just about anywhere, and you’ll find that everyone has heard of it and the majority have read it! This would be remarkable enough if THE DA VINCI CODE was purely a work of fiction, but the interwoven facts, that are indeed the backbone of the novel, put it in a class of its own. Yet the history, paintings and locations that inspired Dan Brown’s tale are equally as fascinating as the book itself, and this program has been devised to take you on an intriguing journey of discovery in search of the facts behind the fiction.
Da Vinci Tracking the Code (2006 )
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Just as the rivers of the Andes mountains twist and coil in a curious maze, so does the grave situation of Peruvian women's health care. Through the compelling story of one Andean woman, Judyth Aguero Vega, we see the horrors and triumphs of Peru's volatile health care situation. Inside a small adobe kitchen, Elsa Romero-Murrado, a midwife in the rural town of Capacmarca, takes us through rarely seen birthing ceremonies. Down the dirt path, her neighbor Judyth, 27, shares her fears of birth as she bestrides the lines of modern and traditional medicine. Their town sits seven hours from the nearest hospital. Cerlia Mendoza, president of the Mother's Club, testifies to a list of 200 women who were bribed by doctors to undergo sterilization.
At Highest Risk (2006 )
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Long suppressed by missionaries and then by Soviet anti-religious campaigns, Siberian shamanism has experienced an unprecedented revival following the collapse of the Soviet Union, and the number of shamans continues to rise. But who are these new shamans? Are they tricksters, magicians, businessmen, or cultural activists? This film takes a behind-the-scenes look at a Buryat shaman living on an island in the Lake Baikal as he moves between intimate shamanic rituals performed for local clientele and shows performed at various resorts for Western tourists in search of "primitive" cultures.
In Pursuit of the Siberian Shaman (2006 )
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A reporter is killed whilst investigating a story & her college friend and former professor join forces to try and find out who killed her.
Truth (2006 )
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Historical documentary on the Battle of Antietam in 1862, the bloodiest day of the Civil War, that claimed nearly 4,000 lives and wounded over 17,000.
Lincoln and Lee at Antietam: The Cost of Freedom (2006 )
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The Garifuna are a Central American people of West African and Native American descent. One of their most popular rituals is wanaragua, a three-fold system of masked Christmas processionals commonly called Jankunú. This ritual is a unique blend of African, European, and Native American (Arawak and Carib) art traditions in which social and cultural identities are expressed through music, dance, and costume. As dancers adorn themselves in colorful regalia to mimic past foreign oppressors they symbolically affirm their identity. They perform stylized movements to the accompaniment of drums and social commentary songs composed by men. Descriptions of the three processions and dance styles are interspersed with interviews by Garifuna singers, drummers, dancers, cultural advocates, and scholars on the significance of rituals.
Play, Jankunú Play - The Garifuna Wanaragua Ritual of Belize (2006 )
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Lisa Milroy’s paintings are pleasurable and provocative, clear but complex, immediate and yet richly subtle. In 2001 many of her major works were brought together for an important exhibition at Tate Liverpool; this film, the first about her work, was made alongside that show. Her earliest works are depictions of everyday objects: shoes in serried ranks, collections of lightbulbs and household hardware. Later canvases explore the process of depicting images of people, blank facades of buildings, clichés of photographic landscapes. More recent work is looser and less apparently realist.
theEYE: Lisa Milroy (2006 )
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"Elizabeth Murray: 4 Decades" tracks the artist's career and shows her moving forward fearlessly toward new shapes and concepts for her unique style of painting. Inspired by artists of the Abstract Expressionism movement such as Willem de Kooning and Philip Guston, Murray was privy to their technique and motive. Though she may share ideals with her artistic predecessors, Murray has created miraculously original work which she discusses with curator Robert Storr as they explore her MoMA retrospective.
Elizabeth Murray: 4 Decades (2006 )
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Ian Davenport’s 48 metre-long painting Poured Lines transforms the tunnel beneath a railway bridge in Southwark, close to Tate Modern. The painting’s numerous vitreous enamel panels were created in a German factory where they were baked at fearsomely high temperatures. This film follows the artist as he creates this remarkable public artwork.
theEYE: Ian Davenport (2006 )
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A famous crime novelist's protigie disappears before the release of author's first new book in years. Is the seeming crime an elaborate publicity stunt, or was this author so desperate for material that he created his own sinister inspiration? Despite his cunning defense on trial (the trial that made his book a best seller), Detective Cooper suspects the latter. She's determined to separate fiction from reality, but the deeper she gets in the story, the more twisted the plot becomes.
Presumed Dead (2006 )
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Two women jokingly agree to kill each others' husbands. Then one really does and blackmails the other into killing her own.
Double Cross (2006 )
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In The New World Order, who can you trust? The government? Ragtag militia? Religious "fanatics"? After a dramatic escape from death row, former FBI agent Adam Riley (David A.R. White) reunites with his friend and mentor Jacob Krause (Brad Heller) leader of The Way, and his small remnant of Christians. Little do they know the forces out for their destruction. Global Alliance leader Commander Fredericks (Monte Perlin) has forced Adam's former partner Charles Baker (Kevin Downes) to hunt them down while a ragtag militia, led by "Captain" Jackson (Lonnie Colon), spy on them for their own gain. As events lead to an explosive confrontation, all will be forced to an awakening of the real struggle... for their very souls.
The Moment After 2: The Awakening (2006 )
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A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.
Klimt (2006 )
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Thirty years on from Vietnam, a government official is trying to track down soldiers who went missing in action, in the hope that it may lead her to her father. Meanwhile, a war veteran is forced to relive painful memories of how he was left for dead by his own platoon, and the heinous crimes he once committed while in the line of duty.
The Veteran (2006 )
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A 19-year-old searches for her twin brother after he runs away from home, following a fight with their father.
Don't Worry, I'm Fine (2006 )
