Vaata DocAlliance Films filme veebis Eestis
DocAlliance Films pakub suurt valikut filme Eestis. Olgu otsite uusimaid väljalaskeid, trendikaid pealkirju või ajatu klassikat, DocAlliance Filmsl on midagi igaühele. Avastage populaarseid žanre ja leidke oma järgmine lemmik film hõlpsasti.
Avasta Eestis parim DocAlliance Films, kus leiad ületamatu valiku filme, mida nautida. Alates kassahittidest kuni kriitikute poolt kiidetud lemmikuteni - DocAlliance Films pakub valikuid igaks tujuks ja hetkeks. Kas armastad avastada midagi uut? Sukeldu kureeritud kollektsioonidesse, mis sisaldavad trendikaid pealkirju, peidetud pärleid või hiljutisi väljaandeid, mis on kohandatud sinu maitsele. Sisu hõlmab žanre nagu action, romantika, dokumentaalfilmid ja palju muud, seega on alati midagi põnevat sind ootamas.
Leia, mida vaadata kiiremini koos DocAlliance Films ja Popcorn Time'iga. Olgu see siis filmiõhtu planeerimine või oma lemmik filmi järjest vaatamine, sul on alati lihtne juurdepääs parimatele meelelahutusvõimalustele.
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Another "bytový film" by Bohdan Karásek. Milostné písně already uses a more structured screenplay and the plot takes place at many different locations. Another conversational drama.
Love Songs (2013 )
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One fairy tale, one sad funeral, one ruined Christmas and one wild wedding. Stories of three men and their families that are affected by the current financial crisis.
Fine, Thanks (2013 )
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Twelve-year-old Jonathan lives with his sister, his mother, and also some men. They all look the same and nest in closets, drawers, and the TV set…
I'm Going Out for Cigarettes (2018 )
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On a particular day at a Danish zoo, a remarkable, mystic and unique attraction involving the body of a young lion awaits its spectator.
In a Lion (2018 )
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A deceptively quiet park in the mist. Mysterious things are happening: a woman disappears, trees fall as if struck by a sudden weakness, and shots ring out. Surveillance cameras observe crows from unfamiliar perspectives. They are the protagonists here – it’s a well-known fact that they are among the most intelligent birds. The camera in their territory: is it a friend or an enemy? A commotion ensues, the crows move to attack. Or are we just imagining all this?
Shooting Crows (2018 )
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Every morning, 12-year-old Wiktor’s grandmother lovingly wakes him up. Once he’s had breakfast and gotten dressed, Wiktor is ready for an intense day at ballet school, where he and his classmates are rehearsing for an important performance. All the proud parents will be sitting in the front row, and while Wiktor’s kind grandmother will of course come, the young dancer is desperately hoping that his father, who lives abroad, will be there, too. Wiktor wants nothing more than to make his father proud.
Dancing for You (2018 )
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An elderly mother lives the last years of her life at home in the care of her daughters. In this atmosphere of serenity in which they lead their daily lives, an awareness of death emerges. Silence and loneliness create an atmosphere of gloom where hope and faith seek shelter from extinction.
Connatural (2018 )
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In 1982, the Argentine military dictatorship invaded the Malvinas Islands, located 500 kilometers off the country’s coast. The dictatorial government left no stone unturned in using propaganda to convince the people of their mission. Consisting almost entirely of excerpts from the TV program 60 minutes, 1982 summarizes the media campaign that took place over the 74 days of war, when Argentine troops tried to take their island back from the British. We watch TV anchormen ask viewers to donate money for weapons, inspire them to sing the national anthem at home, and welcome government leaders as heroes as they “spontaneously” show up at the studio to celebrate the importance of the mission for the motherland.
1982 (2019 )
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This film was shot in an area called Santikhiri, which means ‘the Hill of Peace’. After General Prem’s government came to power in the 1980s, everything—drugs, communism, corruption, human trafficking, and stateless persons—was entirely suppressed to foster order and peace.
Santikhiri Sonata (2019 )
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Every summer, Marek and Janina work as charcoal burners in Bieszczady. Far from civilization, surrounded by the mountain range, they live in unison with nature and its rhythm. We accompany them from dusk to dawn, observing the slow passing of time. This is a story about people, who have chosen a simpler life.
Charcoal Burners (2010 )
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An investigation into the ecological disaster caused by a US military base on the Philippines – and its victims, their world. A humble act of solidarity, a defiant work of remembrance, a rallying cry to rise and resist, a cinematic prose poem.
Vapor Trail (Clark) (2010 )
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The two who came to work in Moscow met on the gravel pass. Sanya and Sparrow. One is thirty seven, the other is nineteen. Problems began when they stopped paying salaries. Two lost souls lost at the bottom of life and ... an unexpected happy ending.
Sanya and the Sparrow (2009 )
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To the Evuzok, a tribe in the South of Cameroon, there are two kinds of diseases that are cured different ways: the “natural” ones and the ones from the night world, caused by sorcery. Dance to the Spirits is the story of Mba Owona Pierre, the village chief and ngengan (healer). He deals with the sicknesses that come from the night world where spirits live and attack his people. Pierre has a special gift and a responsibility towards his fellow villagers. The dance to the spirits is his main healing ritual.
Dance to the Spirits (2009 )
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Each year the salt pans are harvested to receive salt mountains. Water, mud, wind, sun and man are the elements that produce the emerging salt.
The Rise of the Salt Mountains (2010 )
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Home Suite, Smith’s first video work, is a close-up journey through a domestic landscape and a journey through memory, containing only three cuts over the course of its ninety-six minutes duration. Playing upon ambiguity and the unseen, the tape uses physical details of the space to trigger fragmented verbal descriptions of associated memories.
Home Suite (1994 )
Film
Featuring intimate, charming interviews with queer Canadians ranging in age 17 to 88, Take Me To Prom invites audiences to revisit this iconic adolescent milestone.
Take Me To Prom (2019 )
Film
Josefina, a radical homemaker, committed a crime of passion that led her to self-exile at a coastal town. She tries to find peace in solitude, immersed in the house routine, while coexisting with a past of lovers and Molotov cocktails. Her body suffers the metamorphosis of aging, and she must undergo cataract surgery.
Nona. If They Soak Me, I'll Burn Them (2019 )
Film
In a not-so-faraway village, people use discarded reels of 35-mm film to make loud toys such as rattlers, whistles and whirligigs. Every day several hundred toys are crafted, and for each of these hundred toys they splice, slit and rip filmstrips. As they follow this routine with uninterrupted monotony, a few narratives leak out from the shredded analogues of film and infuse the place with phantasmagoria.
That Cloud Never Left (2019 )
Film
Esperança, 15, has just arrived in France from Angola with her mother. At Amiens station, they don’t know where to sleep and look for someone who can help them.
Esperança (2019 )
Film
Matys is an outsider who moved from Ukraine to Czechia with his sister in search of a better life. It turns out the situation there is not ideal either. A glimpse of hope comes when Matys manages to get a job in a cottage located in the heart of a splendid forest.
Paradise on Earth to See (2023 )
Film
Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.
No Crying at the Dinner Table (2019 )
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Being mother is the most natural thing in the world. Or so it seems. Yet the demands on women with children have rarely been as overloaded and contradictory as they are in today’s Western world. Promises of happiness are often followed by disadvantages, excessive demands and feelings of guilt. The mother has become an artificially glorified ideal, which nevertheless is often legitimized by the „nature of the woman“. We live in a time when three people could claim to be the same child’s mother: egg donors give their genes to beget children, surrogate mothers deliver babies which they give away immediately after birth, and men raise children by themselves – without a woman at their side. Hence the question arises: What makes a human being a real mother?
(M)Other (2019 )
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After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.
Ghosts: Long Way Home (2019 )
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One night seven years ago, Rafael came home after work and discovered that people he did not know had come looking for him. He immediately fled, without looking back. From that moment on, his life changed, as if that night had never ended. One evening, around an improvised fire near a factory, he decides to confide his journey to a stranger. Rafael’s intimate account meets the collective testimony of an entire nation oppressed by poverty, police repression and institutional corruption.
Seven Years in May (2019 )
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Laosan, a young family man, spends all his time smoking opium. For his community, lost in the heart of the Laotian jungle, opium farming is the only way to survive. But opium is also the poison that puts men to sleep and kills their desires.
Century of Smoke (2019 )
Film
The film tells about the Moscow art underground through the history of Moscow squats. What does it mean to live today and not adjust at a time when the king of Oats took away, as it seems to us, all the fairy tales?
Loft-Underground (2019 )
Film
Poet, musician, intellectual, and committed communist Nina Cassian wrestled for decades with the central contradiction of her life: how to reconcile her artistic ideals with the strict censorship imposed by Romania’s Communist Party — a tension that put her at odds with the totalitarian Ceaușescu regime and eventually led to her exile. Interweaving archival footage with firsthand interviews, this thought-provoking documentary illuminates the complex relationships between art, politics, and personal truths.
The Distance Between Me and Me (2019 )
Film
In shades of gray, the calm, static shots show young female visitors to a public hospital in Argentina. This is the place where teenage girls have to make a decision about the new life growing inside them. A few of them have, at a very young age indeed, already had children. For others, the idea of a future as a mother is new and terrifying. In many cases, though, having an abortion isn’t a decision to be taken for granted. Some of the girls have learned from childhood that getting pregnant is your own fault, and you have to accept the consequences. What they know about abortion comes from horror stories of clandestine practices in backstreet clinics. The hospital gynecologists and other staff, who can be heard but not seen, ask the girls about their well-being, their relationship, their family ties, and how they see the future—with or without a child. In these intimate and non-judgmental conversations, the girls respond with powerful candor in their most vulnerable moments.
Mother-Child (2019 )
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After a long period of isolation, Antonin rediscovers the world in a bird shelter where, rocked by the noise of planes, troubled souls are saved just as much as the birds.
Bird Island (2019 )
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The film’s story is based on the fate of the Floriculture Pavilion of the former Exhibition of Achievements of the People’s Economy, and its elderly employee Valentyna Voronina, who maintains this space, investing her own life into it, until suddenly changes come to her. After forty-five years of work, she is asked to retire. But Voronina does not agree with that, because she thinks that all the plants will die without her. Meanwhile, a group of mysterious radioesthesists find a channel of positive energy right in front of the entrance to the pavilion.
The Winter Garden’s Tale (2018 )
Film
Mania Akbari collaborates with British sculptor Douglas White to coin a tender fusion of langauge, where a meeting of cinema and sculpture investigates the processes of physical and psychological destruction and renewal. Begun a matter of weeks after first meeting, the film charts a deepening artistic and personal relationship exploring the nature of skin, family, death, water, desire and, throughout, a powerful will to form. Akbari looks into the connection between her body and the political history of Iran, investigating the relationship between her own physical traumas and the collective political memory of her birthplace. As she undergoes surgeries on a body decimated by cancer, remembrance and reconstruction provide a framework for investigating how bodies are traumatised, censored and politicized, and yet ultimately remain a site of possibility.
A Moon for My Father (2019 )
Film
As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.
The Sound Is Innocent (2019 )
