भारत में ऑनलाइन DocAlliance Films फिल्में देखें
DocAlliance Films भारत में फिल्में का बड़ा चयन प्रदान करता है। चाहे आप नवीनतम रिलीज़, ट्रेंडिंग टाइटल्स, या सदाबहार क्लासिक्स की तलाश में हों, DocAlliance Films के पास सभी के लिए कुछ न कुछ है। लोकप्रिय शैलियों का अन्वेषण करें और आसानी से अपनी अगली पसंदीदा फिल्म खोजें।
DocAlliance Films के भारत में में सबसे बेहतरीन खोजें, जहाँ आपको फिल्में की बेजोड़ विविधता मिलेगी। ब्लॉकबस्टर हिट्स से लेकर समीक्षकों द्वारा प्रशंसित पसंदीदा तक, DocAlliance Films के पास हर मूड और पल के लिए विकल्प हैं। कुछ नया खोजने का शौक है? ट्रेंडिंग शीर्षकों, छिपे हुए रत्नों, या आपके स्वाद के अनुसार हालिया रिलीज़ के क्यूरेटेड संग्रह में गोता लगाएँ। एक्शन, रोमांस, डॉक्यूमेंट्री और अन्य शैलियों में फैली सामग्री के साथ, आपके लिए हमेशा कुछ रोमांचक इंतज़ार कर रहा है।
DocAlliance Films और Popcorn Time के साथ देखने के लिए क्या है यह तेजी से खोजें। चाहे वह मूवी नाइट की योजना बनाना हो या आपके पसंदीदा फिल्म का बिंज-वॉच करना हो, आपको हमेशा उपलब्ध सर्वश्रेष्ठ मनोरंजन विकल्पों तक आसान पहुँच होगी।
चलचित्र
In 1998, filmmaker Barbara Hammer had a one-month artist residency in the C Scape Duneshack which is run by the Provincetown Community Compact in Cape Cod, Massachusetts. The shack had no running water or electricity. While there, she shot 16mm film with her Beaulieu camera, recorded sounds with her cassette recorder and kept a journal. In 2018, Barbara began her own process of dying by revisiting her personal archive. She gave all of her Duneshack images, sounds and writing to filmmaker Lynne Sachs and invited her to make a film with the material.
A Month of Single Frames (2019 )
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Brett Story's visionary look at New York City as it braces for an uncertain future.
The Hottest August (2019 )
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Widerstandsmomente (Moments of Resistance) carries voices, writings, and objects from the anti-Nazi resistance into the present. Politically engaged women of today respond to historical resistance and make links to current events. A line is drawn from what was before and what is today to what might be: a society based on solidarity without discrimination or exclusion.
Moments of Resistance (2019 )
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In 1982, the Argentine military dictatorship invaded the Malvinas Islands, located 500 kilometers off the country’s coast. The dictatorial government left no stone unturned in using propaganda to convince the people of their mission. Consisting almost entirely of excerpts from the TV program 60 minutes, 1982 summarizes the media campaign that took place over the 74 days of war, when Argentine troops tried to take their island back from the British. We watch TV anchormen ask viewers to donate money for weapons, inspire them to sing the national anthem at home, and welcome government leaders as heroes as they “spontaneously” show up at the studio to celebrate the importance of the mission for the motherland.
1982 (2019 )
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In a not-so-faraway village, people use discarded reels of 35-mm film to make loud toys such as rattlers, whistles and whirligigs. Every day several hundred toys are crafted, and for each of these hundred toys they splice, slit and rip filmstrips. As they follow this routine with uninterrupted monotony, a few narratives leak out from the shredded analogues of film and infuse the place with phantasmagoria.
That Cloud Never Left (2019 )
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Esperança, 15, has just arrived in France from Angola with her mother. At Amiens station, they don’t know where to sleep and look for someone who can help them.
Esperança (2019 )
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January 2016. The love story that brought me to this village in Alsace where I live ended six months ago. At 45, I am now alone, without a car, a job or any real prospects, surrounded by luxuriant nature, the proximity of which is not enough to calm the deep distress into which I am plunged. I am lost and I watch four to five films a day. I decide to record this stagnation, not by picking up a camera but by editing shots from the stream of films I watch.
Just Don't Think I'll Scream (2019 )
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Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.
No Crying at the Dinner Table (2019 )
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Being mother is the most natural thing in the world. Or so it seems. Yet the demands on women with children have rarely been as overloaded and contradictory as they are in today’s Western world. Promises of happiness are often followed by disadvantages, excessive demands and feelings of guilt. The mother has become an artificially glorified ideal, which nevertheless is often legitimized by the „nature of the woman“. We live in a time when three people could claim to be the same child’s mother: egg donors give their genes to beget children, surrogate mothers deliver babies which they give away immediately after birth, and men raise children by themselves – without a woman at their side. Hence the question arises: What makes a human being a real mother?
(M)Other (2019 )
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In shades of gray, the calm, static shots show young female visitors to a public hospital in Argentina. This is the place where teenage girls have to make a decision about the new life growing inside them. A few of them have, at a very young age indeed, already had children. For others, the idea of a future as a mother is new and terrifying. In many cases, though, having an abortion isn’t a decision to be taken for granted. Some of the girls have learned from childhood that getting pregnant is your own fault, and you have to accept the consequences. What they know about abortion comes from horror stories of clandestine practices in backstreet clinics. The hospital gynecologists and other staff, who can be heard but not seen, ask the girls about their well-being, their relationship, their family ties, and how they see the future—with or without a child. In these intimate and non-judgmental conversations, the girls respond with powerful candor in their most vulnerable moments.
Mother-Child (2019 )
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After a long period of isolation, Antonin rediscovers the world in a bird shelter where, rocked by the noise of planes, troubled souls are saved just as much as the birds.
Bird Island (2019 )
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As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.
The Sound Is Innocent (2019 )
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A portrait of the largest Muslim Punk community in the world, as seen through the eyes of Punk teenagers, in relation to the extreme social, environmental and political environment they live in.
A Punk Daydream (2019 )
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When I got to Rignano, the Ghetto residents told me: "You mustn't keep any trace of our lives here in these precarious houses. This despair is not yours to display." The misery in the Ghetto is the first thing that struck me, the first thing I wanted to show.
Our Territory (2019 )
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Immobile in a home where the sands of time fall to the rhythm of the rural Azerbaijani sounds, a mother waits for her son. When he arrives, their conversations circle around existential questions and news from afar. Unrest cloaks the world outside. Mother and son grow closer, silence melts into words, and life springs between them. The son leaves, and winter settles in to the forever-outdated house in which temporalities blurs and past and present beat to the rhythm of the same clock.
When the Persimmons Grew (2019 )
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Poetic monologues and the music of wandering bards accompany the pilgrims and nomads of modern-day India. This experimental work challenges us to visualize a journey of the soul, with walking as a meditative act.
At Home, Walking (2019 )
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The desert East of L.A. is a land of fractured time, rotting nostalgia, and esoteric energy. Out here, we’re all ghosts.
Tourists (2019 )
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At the beginning of time, giants created the mountains and deep forests that surround the small town of Ydre. It’s now one of Sweden’s smallest municipality, and has a population of just a few thousand, which is carefully looked after by the friendly and idealistic mayor. He is ready with gifts and big smiles every time a child is born and he can note that Ydre has a new inhabitant. In the meantime, youths and elderly people are working and living their lives. It’s a cinematic film about responsibility, love for the community and sense of belonging told with an anchored humor about ordinary enlightened moments of everyday on-going life. Creation myths, fables and everyday realism are mixed with understated comedy in an atmospheric and moving film.
Giants and the Morning After (2018 )
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Ruth Beckermann documents the process of uncovering former UN Secretary General Kurt Waldheim’s wartime past. It shows the swift succession of new allegations by the World Jewish Congress during his Austrian presidential campaign, the denial by the Austrian political class, the outbreak of anti-Semitism and patriotism, which finally led to his election.
The Waldheim Waltz (2018 )
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A docu-comedy about three neo-hippies from Berlin who move to a farm in Poland to be closer to nature. They meditate, practice acroyoga and shower in the garden. The villagers consider them complete eccentrics.
Village of Swimming Cows (2018 )
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In a small town in the American Midwest, Coby comes out as a trans man. His transformation causes his family to shift their perspective on gender and their son.
Coby (2018 )
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A small town in Japan's exclusion zone searches for normalcy in the five years following the greatest nuclear catastrophe since Chernobyl.
Furusato (2018 )
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The last six months of the life of Jan Palach, who self-immolated to protest against the invasion of Czechoslovakia to crush of Prague Spring.
Jan Palach (2018 )
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A documentary comprising a thirteen 360° panning shots that gradually reveal the environments and conditions in which wood is transported from Austria to Brazil.
Walden (2018 )
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A personal film about grief and farewell, about serenity and arrival as well as reunion and retrieval.
Are You Sleeping, Brother Jakob? (2018 )
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Ultimate refuge for the leftovers of the american dream, the motels in the United States houses a population of drifting humans who, from crisis to crisis – economic and personal – have been dispossessed of everything. Some of them lost it all. Some of them left it all. Some still have dreams. Some of them don’t remember well, sucked by daily survival. Everyone struggles with fragments of life that remain in this precarious nest. Portrait of a disenchanted America. Diving in its abyss.
Vacancy (2018 )
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Art is merely a label of no relevance according to the artist Christian Eisenberger. At the age of 40 he has created over 45,000 works. He deposited thousands of them on streets and squares, where anyone could gather them up. He defies galleries, art fairs and museums with his unrestrained production. His art runs rampant, eluding all control. In a milieu that desperately struggles for attention and recognition, Eisenberger again and again asks, "What really constitutes artistic freedom? And does it require artists at all?”
Eisenberger – Kunst muss schön sein, sagt der Frosch zur Fliege (2018 )
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Hundreds of Western volunteers have joined Kurdish armies in Syria and Iraq in their efforts to fight the Islamic State. What drives some Canadians to put their lives on the line?
My War (2018 )
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The film confronts two different views of the execution of General Ion Antonescu, Romania's leader during the Second World War.
The Marshal's Two Executions (2018 )
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Based on true events- A young woman struggles to piece her world together after a botched suicide attempt.
Blue (2018 )
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Marcelo, a 40-year-old dandy, has a memory like no other. Monologuing between coffee and hookups, he holds court on a wide range of topics: his status, his Catholic grandmother, and his unusual sexual fantasies. At times, he takes himself for Genghis Khan or poet-philosopher Novalis.
The Blue Flower of Novalis (2018 )
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Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.
The Endless Film (2018 )
