भारत में ऑनलाइन DocAlliance Films फिल्में और टीवी शो देखें
DocAlliance Films भारत में फिल्में और टीवी शो का बड़ा चयन प्रदान करता है। चाहे आप नवीनतम रिलीज़, ट्रेंडिंग टाइटल्स, या सदाबहार क्लासिक्स की तलाश में हों, DocAlliance Films के पास सभी के लिए कुछ न कुछ है। लोकप्रिय शैलियों का अन्वेषण करें और आसानी से अपनी अगली पसंदीदा फिल्म या टीवी शो खोजें।
DocAlliance Films के भारत में में सबसे बेहतरीन खोजें, जहाँ आपको फिल्में और टीवी शो की बेजोड़ विविधता मिलेगी। ब्लॉकबस्टर हिट्स से लेकर समीक्षकों द्वारा प्रशंसित पसंदीदा तक, DocAlliance Films के पास हर मूड और पल के लिए विकल्प हैं। कुछ नया खोजने का शौक है? ट्रेंडिंग शीर्षकों, छिपे हुए रत्नों, या आपके स्वाद के अनुसार हालिया रिलीज़ के क्यूरेटेड संग्रह में गोता लगाएँ। एक्शन, रोमांस, डॉक्यूमेंट्री और अन्य शैलियों में फैली सामग्री के साथ, आपके लिए हमेशा कुछ रोमांचक इंतज़ार कर रहा है।
DocAlliance Films और Popcorn Time के साथ देखने के लिए क्या है यह तेजी से खोजें। चाहे वह मूवी नाइट की योजना बनाना हो या आपके पसंदीदा फिल्म या सीरीज का बिंज-वॉच करना हो, आपको हमेशा उपलब्ध सर्वश्रेष्ठ मनोरंजन विकल्पों तक आसान पहुँच होगी।
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A portrait of the disenchanted youth of the city of Tolyatti, once a symbol of Soviet progress and the automobile, now devastated by economic decline. Laura Sistero encounters an aimless young generation, who express their dreams of escape through crazy races in old patched-up Ladas. A cinematic object is propelled by spectacular skids to the rhythm of an electro-rock soundtrack.
Tolyatti Adrift (2022 )
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90-year-old architect Florian Yuriev is facing the destruction of his magnum opus: an avant-garde concert hall set to be repurposed as a shopping mall. Florian confronts the powerful real estate developer behind this investment project, and uses his visionary ideas to capture an unlikely victory. This is an architectural documentary with infusions of science fiction and horror film.
Infinity According to Florian (2022 )
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Adina Camhy investigates the phenomenon of a crater as a metaphor, as well as a concrete physical shape, resulting in a meditation on ‘dynamic memorials’ around the Ramon Crater in the Negev desert and its counterpart with the same name on the Moon.
Crater (2022 )
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Three radically different protagonists, with polar opposite political views, try to define their identities against the background of contemporary Poland. They are at turning points of their lives. The woman has an abortion. One man is getting more politically radical and joins a right-wing party. The other man breaks his ties with the Church and chooses apostasy. Even though they could not be more different in terms of their worldviews, they have one thing in common – each of them is trying to embrace their own uniqueness and understand who they are.
Identity (2022 )
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They are bonded by their pain, longing, and their current residence – a semi-open prison for women. While staging Anton Chekhov’s play, Three Sisters, together with professional actors, imprisoned women reveal their harrowing life-stories, dreams and the longing for a decent life outside the prison walls.
Sisters in Longing (2022 )
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The Aral “Sea” powerfully reveals the deadly impact of human activities—in this case, the intensive cultivation of cotton in the USSR—on an ecosystem. Daniel Asadi Faezi (The Absence of Apricots, VdR 2018) and Mila Zhluktenko (Find Fix Finish, VdR 2017) film the shore’s last inhabitants, who have lost their way of life to the desertification of their environment. A beautiful and poignant work about our probable future.
Aralkum (2022 )
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Almost 250 years ago, an Indigenous noblewoman named Tomasa Ttito Condemayta gathered together over a thousand women to fight against the Spanish colonial rulers. In present-day Peru, female followers of all ages bring gifts to her resting place where they dance and celebrate together to draw strength and courage or request protection and good grades. A mockumentary in tribute of this special heroine.
Heroines (2022 )
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Through rhythmic re-composition of fragmented images, semi-surreal situations are explored in a documentary style of observation of a man's obsession with a powerful animal, the black horned bull, and the Spanish process of taxidermy through which he attempts to embody its beauty and strength, turning into a Minotaur. The subdued basement space in which the man meticulously studies the motionless flesh of the animal is preceded by a sunlit, empty arena in Spain, the stage in which the bull is presented in its full glory before facing man.
Taurophilia (2022 )
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The Czech criminal René is finding it difficult to go straight. Roaming from job to shelter, from woman to woman, he discovers that living honestly is a lot more difficult than just stealing something every once in a while. In 1989, filmmaker Helena Třeštíková started filming the then 18-year-old delinquent, ultimately resulting in the 2008 film René, which follows his life inside and outside prison. This sequel to that film begins with the premiere of René and the ensuing storm of media attention.
René – The Prisoner of Freedom (2022 )
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Is it possible to use sound to travel through time and experience the fate of other people? This story of a sound engineer studying recordings of war conflicts from the past transports viewers smack dab in the middle of a ravenous rampage where the horrors of the past come to the fore. The film also presents a philosophical reflection on the role that sound plays in our world. The film was developed on the program of the AAMOD Premio Zavattini.
The Sound of Time (2022 )
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In the heart of Bairro Alto, right in the centre of Lisbon, the building of an old printing workshop is demolished to make way for luxury apartments. Seeing this as a perfect image for the death of a certain Lisbon in the wake of the financial crisis and the ensuing real estate and touristic boom, the director films an urban diary portraying the daily life of the construction site and those who work there. What starts out as a work-centred film turns out to be the story of the director’s relationship with his hometown and with the people who build it.
Death of a City (2022 )
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This unusual documentary pixilation is based on images discovered in Cuban court archives. In the past, the Communist regime’s prying security forces surveilled not only the enemies of the regime, but also the activities of nonconformists, misfits and dissidents.
Example # 35 (2022 )
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In Kyiv, the war still seems inconceivable, but the pandemic forces a mother and her daughter to spend the lockdown in their shared apartment. The mother is a piano teacher who keeps giving lessons on the phone, on her kitchen table, with the same passion and perfectionism. Her daughter has an art studio at the other end of the apartment, yet she has swapped her paintbrushes for a camera. Ptitsa: a bird, in Russian, like those who brave winter on snow-covered windowsills.
Ptitsa (2022 )
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Beneath the sheets where a young couple lies from morning to evening, there were long swelling problems. Sometimes love itself is too little, even when one’s bedroom eyes say otherwise. An intimate film devoid of tabloid clichés that examines the bed of two lovers who can no longer run away from the inevitable truth.
Blue Bed (2022 )
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Vilnius is a city of notable historical heritage and unique character currently undergoing considerable changes. Some of the life fragments our camera has recorded are no more. The film, therefore, is a testimony to that which has faded into oblivion, and a glimpse into what is to come.
Once Upon a Vilnius (2022 )
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In his second feature film, Leandro Listorti establishes a parallel between two worlds he seems to know well: that of plants and that of cinema. This delicate cinematographic work, full of beautiful images—both archival and current—gives an account of the immense work of classification and preservation, and generously invites us to think about forms of representation and memory.
Herbaria (2022 )
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A young papaya farmer discovers the pure joy of climbing in the crystalline limestone sinkholes of Mexico’s Yucatán Peninsula.
Cenote (2022 )
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An extraordinary and necessary essay film constructed entirely out of a vast archive of news footage from the ‘80s and ‘90s, OUR MOVIE (NUESTRA PELICULA) is a response to the violent history that imprinted itself on the director in her formative years in Colombia. Images of blood spatters, bullet holes, coffins, and Colombians marching in the streets become an abstract net of quotidian sorrow.
Our Movie (2022 )
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90 years old Suzanne, sharp and bright as a young woman, has just lost her lifelong mate. Her daughter and two granddaughters show up to comfort her. In this moment of grief, these four women let out their infinite tenderness and deep connections, in spite of unforgotten grudges.
Celles qui restent (2022 )
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A grieving father grapples with the seedy, manipulative world of high stakes debt collection while struggling to shed the tragedies of his past. He find's himself pitted against his best friend with troubling consequences.
Collection (2021 )
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The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.
Abandonment (2021 )
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The love story of Davud, a young man in search of his ‘true’ family, who completes his life cycle in a single day. When he does find Love, it's in the place he has always lived. But perhaps it is too late.
In Between Dying (2021 )
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In FEAST, perpetrators, victims and their spectators become involved in a dramatic reconstruction of the Groningen HIV case. The film tells a story about power and surrender, the reversibility of truth and the desire to come home somewhere.
Feast (2021 )
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A pair of estranged offspring visit their parents in an abandoned Mexican village.
Fauna (2021 )
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HIM consists of three separate stories in one film. Harald (11) is a boy who constantly falls outside the group. He is not recognized either by friends, school or parents. Emil (30) is unemployed, he is angry and looks down on everyone else. Petter (60) is a Norwegian renowned scriptwriter who wants to make a film about the national hero Fridtjof Nansen. Two men and one boy, one day in Oslo, whom all experiences a social and emotional fall. The film discusses the male role in the contemporary Norway.
HIM (2021 )
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Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.
The Balcony Movie (2021 )
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This documentary film reveals how the lives of the descendants of a partisan fighter in the Second World War are still impacted by the events of that period, 75 years after the end of hostilities. In making her case, Lacková provides glimpses into her private surroundings. Over the course of her film, she also points out frightening parallels between the reign of the Nazi terror regime and the resurgence of racist currents throughout today's Europe.
How I Became a Partisan (2021 )
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Tara Emory is a pioneering erotic photographer who has been active online since the early 2000s. This documentary paints a portray of her at a time when, absorbed by her epic sci-fic trans pornography project, she has to juggle being evicted from her studio, Le Wonderland, her personal and family struggles with compulsive hoarding and her hectic lifestyle. Between the gargantuan sets in her studio, the complicated dilemmas she must face, and the robots spurting a mixture of Mentos and Sprite, this first feature by Laurence Turcotte-Fraser deftly interweaves elements of her inner and outer life to introduce us to an unconventional artist with a wide variety of different interests. The End of Wonderland gives a voice to one those oft-forgotten exhilarating personalities by sensitively exploring Tara Emory’s day-to-day life. (Programming Collective)
The End of Wonderland (2021 )
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The film takes on a walk alongside parasites, symbionts and decomposers offering ideas of both interconnectedness and collaboration. Driven by a vision of resistance, the encounters seek possibilities of renewal and question what connects us when the world seems to be falling apart. With mushrooms and their allies the film invites to imagine a myco-cultural (r)evolution. What if the fungus could help us address and radically change our relationship to this world?
The Mushroom Speaks (2021 )
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I Am The Tigress is an observational style documentary that follows the journey of protagonist Tischa “The Tigress” Thomas during the last year of her career as an African American female bodybuilder. Philipp Fussenegger and Dino Osmanović worked for over 2.5 years on creating this unique piece. They traveled with her from Harlem to Bucharest as she strived towards her goal to place number one in the world in female bodybuilding.
I Am the Tigress (2021 )
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A tragicomic documentary road movie that follows the path of a law that could affect millions of lives. “The Law of Love” guarantees everyone, regardless of sexual orientation, the right to marry – and it is supported by the majority of Czechs. Who, then, is bothered by this bill that has stirred up so much passion, such atypically emotional response? What, for that matter, is the difference between marriage and registered partnerships?
The Law of Love (2021 )
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In intimate close-ups the camera captures an idyllic scene that seems to belong to a different era.
My Uncle Tudor (2021 )
