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Film
Trans women face extreme violence in Mexico City, and sex workers are even more vulnerable. This raw and deeply affecting portrait of Kenya gives an insider’s view of the impact that violence has on the community, and how complex life is for them. The film begins shortly after Kenya witnesses her friend Paola being murdered by a client. The film follows Kenya closely. Will the family accept burying Paola as she was: a flamboyant trans woman? Kenya approaches Paola’s loved ones with great respect and understanding—something she rarely experiences herself. When the murderer is released, she embarks on a lengthy battle for justice, backed up by her “sisters.”
Kenya (2022 )
Film
Iván Bilbao has just spent 5 years in prison. Upon his release, he is reunited with his wife Yamila, his daughter Luz, and Chascomùs, his hometown, where his reputation is notorious. Eager to settle down, he resumes boxing and pawnbroking. Pedro Speroni films this chaotic return up close, underscored by tight, uppercut-like editing work.
The Bilbaos (2023 )
Film
Oscillating between present day and decades-old home videos, Charm Circle is a cinéma vérité portrait of an eccentric New York family navigating the chaos that divides them.
Charm Circle (2023 )
Film
Conceptual visual artist Ján Mančuška died in 2011. However, in his short 39 years of existence, he managed to create a number of remarkable works, many of which have been exhibited in renowned galleries around the world – including the Centre Pompidou in Paris and MoMA in New York. In his homeland, however, his work reflecting everyday life, social reality or the meaning of language has never achieved comparable fame. Together with the children of an artist who was not afraid to confront the public with the question of the meaning of art, the director embarks on a journey that aims not only to get closer to Mančuška, but also to reveal him in hitherto unrecognised shades, thus filling in the gaps that are increasingly appearing in the context of the fading memory of his personality.
You Will Never See It All (2023 )
Film
Miko is a truck driver, his father is Romani, and above all he is a man who wanted to help those in need. When the Czech government was looking for reasons not to take in a few dozen children from Greek refugee camps after the chemical attacks on Syrian civilians in 2018, Miko took justice into his own hands and, together with the Czechs Helping initiative, prepared facilities for child refugees. However, government officials gave priority to political interests. Will parliamentary elections and a change of ministries save the situation? An unflattering but accurately portrayal of the Czech Republic as a country that will only offer a helping hand when it is worthwhile.
Citizen Miko (2023 )
Film
Rotterdam regular John Gianvito (Vapor Trail (Clark), IFFR 2010) checks in with a sensitive, homebound film diary recorded in the pandemic years 2020-2022. The watchful, wary stance of deer outside his house triggers a series of fragments associated with death, burial, mourning and care: Gianvito calls it 'a requiem'. Snatches of classic soundtracks (including Renoir's Partiede campagne, 1936) and glimpses of news broadcasts expand the private, intimate context.
The Grave's Sky (2023 )
Film
A man hikes through late-winter woods. Russia invades Ukraine. It’s difficult to reconcile the scales of action described by those sentences, but this difficulty is what John Gianvito dwells on in his new video. It may simply be that this is a diary, movingly plain and provisional in construction, which recounts what its author did for a few months last year: he watched a war on the internet and went outside. Even if that’s true, such a description makes Gianvito’s images seem less strange than they are
Fugue (2023 )
Film
A psychedelic portrait of the founding theorist of Christianity, Paul the Apostle. His life, ideology and influence are reconstructed by piecing together 16mm footage, cassettes, animation, and Catholic liturgical music.
The Apocalyptic Is the Mother of All Christian Theology (2023 )
Film
While studying in Bruxelles, Daryna Mamaisur is caught up in the conflict tearing through her country. She questions the way in which to speak about it, at a distance, while cinema seems the “least appropriate” means.
I Stumble Every Time I Hear From Kyiv (2023 )
Film
When Russia annexed Crimea in 2014 it became clear to anyone that the aggressor was conducting a hybrid war against Ukraine. It conquered Crimea with a combination of disinformation, propaganda, and secret military support for rebel groups, and covert military operations. The only surprise is that many people were surprised when Russia deployed this military strategy, because it has a long history of doing so.
Limitation (2023 )
Film
Unarchiving a territory. On the verge of disappearing due to industrial extractivism, we begin to glimpse what still subsists in the forest of Hornopirén, in the south of Chile. Not only do we observe it, but it also looks back at us.
Muestrario (2023 )
Film
Can someone become a mother without giving birth to a child? Twenty-nine-year-old filmmaker Santwana, who is not yet ready to become a mother, and forty-five-year-old doula Kata, who, though childless herself, helps many couples bring their children into the world, are searching for the answer to this question together. This highly intimate documentary empathetically introduces us to the most beautiful and vulnerable moments of life surrounding childbirth.
Kata's Motherhood (2023 )
Film
Art, auctions, huge valuations of individual works, a market full of enigmas. The inaccessibility of the art world and its business mechanisms, incomprehensible to many, have always worked on the imagination. However, the incredible growth of interest in buying art in Poland over the past few means that the curtain of mysticism must be slowly falling. “How Much for Art?” is a look at the Polish art market, which with the political transformation has changed from a marginal and obscure curio to a modern, professional machine, opening for some artists of the youngest generation the gates of success inaccessible to their predecessors.
How Much for Art? (2023 )
Film
In the 90s, when the Serbian government forcibly removed students for opposing the curriculum, my grandfather and volunteers built new desks, ensuring education in Kosovo.
My Grandfather: A Desk for Each Pupil (2023 )
Film
Piecing together fragments of a creative existence during the UK lockdown. A lone dweller in a small apartment. Time slips, memory disperses, erodes and fades. A film of animated happenings, a document of uncertainty: what have I become, or what was I?
Dwelling (2020 )
Film
A family spends three summer days in a beautiful lake mansion close to Berlin. Together with her new lover, Irene visits her brother Alex, who still inhabits the house with Irene's writer son Konstantin. Konstantin's girl-friend pops in, too, and all of them drift away from each other more and more.
Afternoon (2007 )
Film
Georgia, a land known for its wine, is nowadays the third largest exporter of bitcoins in the world. A country that not long ago suffered daily power outages is engaged in a highly technological form of capitalism. What's more, much of this activity is concentrated in the rural, wine-growing region of Kakheti. In the countryside, cows graze amidst internet towers and are killed by machines; drones fly over vineyards; horse-drawn carriages travel on unpaved roads where electricity poles are being repaired and labour is performed by computers. The boundary between the natural and virtual is slowly being eradicated.
The Harvest (2019 )
Film
Jose lives with his family in La Soledad, a dilapidated villa located in what used to be one of Caracas' most affluent neighborhoods. After learning that the owners are planning to sell the property, Jose seeks any solution that might keep his young daughter from growing up in the city's crime-sodden slums.
La Soledad (2017 )
Film
A man returns, after fifty years, to Chinatown to care for his dying mother. He is a librarian, a cataloguer and recorder, a gay man, a watcher, an impersonator. He passes his time collecting images - his witnesses and collaborators. Sitting in the dark, we look at them and share his cloak of invisibility, both a benefit and a curse.
Touch (2013 )
Film
The directors want to shoot a film about a man known as the son of god. But what starts out as a practical joke, extends to become a curious portrait of what could either be a petty fraud or the world’s most secret miracle. A film crew tracks his bizarre pilgrimage as magic and religion, faith and doubt, real and unreal blur and melt to the point that one of the director becomes one of the characters. The film traverses all descriptions, before ending as both an affirmation of faith for the faithless and a criticism of faith for the overly faithful.
Son of God (2010 )
Film
“You bet on someone in the beginning of the process and then you wait and see what life does with them.” This is how Czech director Helena Trestikova explains her long-term documentaries. Following on from the European Film Academy Award winning RENE (2008), Trestikova brings us KATKA – 14 years in the life of a drug addict. KATKA is an extraordinarily raw and uncensored character portrait of a troubled young woman living on the edge of human existence, desperately searching for love and salvation. Will she find it in the rehab? Will she find it in the arms of the man she loves? Or in the first cry of her long-desired baby? Tagging along with her through the back streets and squalors of Prague, Trestikova gets deep under the skin of a person most of us would cross the road to avoid, and shows us Katka’s profoundly human face. You might be angry with Katka, or your heart may go out to her. One thing is certain – you will never forget her.
Katka (2010 )
Film
A journey from the harbor town of Jaffa to the Jaffa orange, a fruit through which the Israeli filmmaker examines the Israeli-Palestinian conflict.
Jaffa: The Orange's Clockwork (2010 )
Film
The non-spoken documentary from Martin H. Schmitt exploring the senses and evolution of robots, from a mechanical somnambulist to an autonomous sensorium.
Robot world - A meeting with your alternate double (2010 )
Film
Greta is forced to accompany her newly separated mother to a party. For the first time, she will see her as a lonely woman, rather than just a mother.
Secondo me (2020 )
Film
The older marriage sails out on a cruise on the lakes, where they have spent the entire one’s life. The enclosed space of the yacht provokes reflection on the future as well on what has passed. In the evenings old melodies resound.
The End of the Season (2019 )
Film
A grieving father grapples with the seedy, manipulative world of high stakes debt collection while struggling to shed the tragedies of his past. He find's himself pitted against his best friend with troubling consequences.
Collection (2021 )
Film
Paris, North Station, anything comes by, even trains. One would like to stay, but they have to hurry up... Like other thousands lives crossing, Ismael, Mathilde, Sacha and Joan are going to meet here...
Gare du Nord (2013 )
Film
A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.
Bobbi Jene (2017 )
Film
Materia oscura tells the story of a war zone in peacetime. The film location is the Salto di Quirra test range (Sardinia, Italy) where, for over fifty years, governments around the world have tested 'new weapons' and where the Italian government has carried out controlled explosions of old weapon stocks, inexorably endangering the territory.
Dark Matter (2013 )
Film
In addition to demonstrating the unexpected complexities of individual life paths, THE WILD establishes the possibility of “cinematic space” becoming a type of “third space”. Two seemingly contrasting spaces merge to construct a new space. The first space is the living room of a retired couple. The second space is embodied in Super 8 recordings filmed by the old man during his numerous trips to Africa and Asia during the 60s, 70s, 80s and 90s. The pictures show exotic animals which are projected directly onto the walls and furniture of the house. The assembly of these differing spaces does not create a more succinct boundary between them, but rather assists in the mingling of the two spaces. In this fleeting moment of third space, as it is limited by time, a new cinematic reality is formed.
The Wild (2013 )
Film
There is Luis, pushing his walker forward as he drags along the lawn chair he likes to sit on. And Dorian, a crutch under each arm, making frantic efforts to get the payphone working. And then Sara, legally blind and searching for the sink by feel. One of the residents has his own radio station and plays nostalgic songs and other recordings he makes for his housemates outside, like the sound of the sea. He also keeps his listeners informed of the latest news - which mostly consists of obituaries. These various portraits of people who have been forgotten by the outside world but still have a very rich inner life are beautifully filmed - every shot is like a painting, with the natural light playing an important supporting role.
The Last Station (2013 )
Film
Fantasizes an 'Old' Middle East, wherein communities were not divided along ethnic and religious lines; a Middle East in which even metaphorical borders had no place
Once I Entered in a Garden (2013 )