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Discover the best of DocAlliance Films in US, where you’ll find an unmatched variety of movies and tv shows to enjoy. From blockbuster hits to critically acclaimed favorites, DocAlliance Films has options for every mood and moment. Love discovering something new? Dive into curated collections of trending titles, hidden gems, or recent releases tailored to your taste. With content spanning across genres like action, romance, documentaries, and more, there's always something exciting waiting for you.
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Movie
An assembly of collected memories shatter the interior and open portals to the outside. Completed during shelter-in-place in Northern California. Commissioned by Small Press Traffic.
As Long as There Is Breath (2020 )
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Documentary on the Aleixo neighborhood of Porto, Portugal: a low income working class community plagued by drug sales and slated for demolition.Will it's dispersed residents, ripped from their homes, have the force to carry on?
Our Land, Our Altar (2020 )
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North of Italy, the von Kettens dispute the forces of the Episcopate of Trent. Herr Ketten seeks marriage in a distant country, Portugal. After their honeymoon journey back home, Ketten leaves again for the war. Eleven years elapsed… Rumours are running about the presence of that 'foreigner' in the castle. Some say she's a heretic. Until one day, the Bishop of Trento ends up dying and, with the signature of peace, falls the background of von Ketten's life. Will the Portuguese win, where death seems to be moving in?
The Portuguese Woman (2019 )
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Christmas Island, Australia is home to one of the largest land migrations on earth—that of forty million crabs journeying from jungle to sea. But the jungle holds another secret: a high-security facility that indefinitely detains individuals seeking asylum.
Island of the Hungry Ghosts (2019 )
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Lou Colpé has been filming her grandparents since she was 15. In the process of this intense relationship, she notices some disconcerting signs in her grandmother: Alzheimer’s is slowing her down. A new film begins, a tougher one: the story of a couple that must face a tremendous challenge. Struggling against the tide of oblivion, the task of filmmaking becomes the ultimate act of resistance. Trying to retain the last images of her grandparents, an intimate conversation begins and echoes through the songs that play on the radio, conjuring lost stories and memories.
Passing Time (2019 )
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After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime? And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey; a film that combines espionage with family.
I See Red People (2019 )
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In rural Azerbaijan, a mother welcomes her adult son, who left home eight years earlier. In the calm rhythm of rural life, reflective silences punctuate their personal, philosophical conversations.
Mother and Son (2019 )
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The older marriage sails out on a cruise on the lakes, where they have spent the entire one’s life. The enclosed space of the yacht provokes reflection on the future as well on what has passed. In the evenings old melodies resound.
The End of the Season (2019 )
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Max "Adlersson" Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees - Max is a YouTube creator and makes a decent living off of it. Most of Max's friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.
Lord of the Toys (2019 )
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On the western-most point of Brittany, in the lighthouse, at night, Damien is busily building a mysterious something out of pieces of mirror. The more the storm makes itself known, the more he hurries. When Isabelle arrives in the village, suddenly he is seized by a sense of urgency.
Hurry (2019 )
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The Ursus factory once covered 170 hectares and employed 20,000 workers, producing 100 tractors a day. Now, its buildings stand derelict and empty; half have already been demolished by investors with new plans. The symphony of mechanical sounds and gestures that is gradually built up throughout the film is produced by former factory employees. Proud of their factory, they reminisce about the huge numbers of people and the parties they had. They were a community, passionate about supporting agriculture through their factory. The Ursus tractor was well-known, not only in Poland but throughout the world.
Symphony of the Ursus Factory (2019 )
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We enter the film, like we access Gorgona, by the sea. A rock bristling with greenery, surrounded by the dark blue waves of the Mediterranean. On this small island between Tuscany and Corsica, there is an agricultural penal colony. The prisoners held there are free to move around, working the vines, the small pig farm or the vegetable garden surrounding the prison buildings. Here, the relationship to nature is particular and undoubtedly redeeming.
Isola (2019 )
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Access to health is not the same for everyone: the conditions of life affect the possibility a person has to be cured and healed. In the outskirts of Trieste, an innovative health model rethinks the ‘cure’ out of institutional standards by bringing attention to people’s lives, without seeing them only through the lens of the disease.
The Caring City (2019 )
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A film about the artist Daniel Spoerri. It's actually a film about a thought by Daniel Spoerri: a film almost without Daniel Spoerri, it's actually mostly acted out by a child - to say no less than that everything somehow goes on in life, even if you die in between.
This Movie Is a Gift (2019 )
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Portrait of Marceline Loridan-Ivens, a writer and filmmaker who survived the Holocaust.
Marceline. A Woman. A Century (2019 )
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A biblical interpretation of airline safety instructions.
A State of Grace (2019 )
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Om El Khir is a real fighter. Her husband has disappeared. One morning, he left on a boat for Europe and she has since received no evidence on whether he is dead or alive. Alone with her three children, in her empty and white apartment in the surroundings of Tunis, she bravely takes charge of a day-to-day life changed forever by the absence of her husband.
Those Who Remain (2019 )
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Cenotes—sources of water that in ancient Mayan civilization were said to connect the real world and the afterlife. The past and present of the people living in and around them intersect, and distant memories echo throughout immersive scenes of light and darkness.
Cenote (2019 )
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Wandering around his house, Grant, a young American musician, looks for inspiration in his memories, foraging through old findings and things from the past, scattered here and there.
One After the Other (2019 )
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Originally there was a silence. That of Malek, the filmmaker’s father, who for years said nothing of his childhood in Algeria. And then, the need to break the silence, with a script that he gives to his children, to start telling his story. Several years later, the father and daughter finally make the journey to Mansourah, his native village: seeing his house, meeting other men who experienced the same heartbreak. Little by little, the film reveals what Malek, like many others, has long kept quiet about.
In Mansourah You Separated Us (2019 )
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Shakespeare's 'King Lear' travelling on the dusty and risky roads to the remotest forgotten villages in the mountains of Turkey where even drinking water can hardly reach, turns delicately into 'Queen Lear' in the hands of a peasant-women theatre group. In the early 2000s, a handful of peasant women from the mountains of southern Turkey formed a theater group, which later became the subject of the documentary, The Play. The women acted out their own life stories in the village, and the play changed their lives. Now, they take to the road with an adaptation of Shakespeare's King Lear, traveling the dusty, dangerous roads to the farthest-flung mountain villages where there isn't even running water. On the road, their lives merge with the world of King Lear and become bound up with "the good and the bad", "the young and the old", "the rich and the poor", "the honest and the dishonest" of the play.
Queen Lear (2019 )
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After André Levesque missionnaire, Oksana Karpovych is back at the RIDM with her first feature, which she filmed in her native country, Ukraine. To take the pulse of the country, the filmmaker adopts one of documentary cinema’s most prolific sub-genres: the train film. Filmed entirely in the old, run-down, overcrowded passenger trains used by ordinary Ukrainians, the film captures conversations, observes the landscape, and accompanies several protagonists on their journey; they open our eyes to popular preoccupations in a country that seems perpetually anchored in its highly visible Soviet legacy. A fine lesson in listening and humanity.
Don't Worry, the Doors Will Open (2019 )
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The director’s granny Zina had lived in Ukraine, Russia, Belarus, and, after retirement, she moved to Crimea. Cheerful and bossy, she has always been uniting the big family. After the annexation of Crimea by Russia, visiting her has become an endless hustle. The place has turned into ‘a distant planet’, like Mars, and its environment is unfriendly towards the lonely woman. For many reasons, the time has come for her to make a crucial decision.
My Granny From Mars (2019 )
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A peculiar personal journey along the shores of the Mediterranean Sea, the inland sea that bathes the beaches of three continents, passing through the port of Marseille, the Rock of Gibraltar, Algeria and Syria; an artistic and experimental collage made up of thoughts, memories and emotions.
The Middle Sea (2019 )
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The film begins and ends in a shopping centre in Hong Kong. We carefully observe the smooth movement of the escalators, the constant flow of people that never stops, the musical fountain that presides over the centre of the internal courtyard, as if this gigantic complex could concentrate the circulation of the entire city, or even, the entire country. From there, it will be more a tale about concrete, enormous port warehouses, glazed galleries built for the 2010 universal exhibition, overpopulated tower blocks, the fragments of still recent colonialism...
Many Undulating Things (2019 )
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One night with the guest and workers at the Kyiv Opera House in Ukraine.
Opera Glasses (2019 )
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A fantasy-suspense that asks us if we live a routine or an eternal déjà-vu?
Third Floor (2019 )
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A film about the band.
Electric Orgasm for the Future Generation (2019 )
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Encouraged by his daughter and with a broken voice, Jaime Luna (Uncle Yim) –indigenous philosopher, social leader and singer songwriter–, composes a new song about his tumultuous life after 15 years of silence. But this time he will do it with his family, so the memories and interpretations are contradictory and painful. Uncle Yim is an immersion in the identity of a peculiar family shaped by tradition, music and communality.
Tío Yim (2019 )
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A documentary fairy-tale about the struggle for identity in the Hunza Valley set in a village located in the Northern-Pakistan somewhere between the past and the future. A magnificent turquoise lake in between rough, steep cliff surrounds the small village. But the lake hasn’t been always there. One day, an enormous landslide blocked a river. In a few months, this river turned into a huge lake, which is now up to 30km long. Thousands of homes and fields were flooded. Entire villages disappeared forever. Thousands of people got dislocated and had to look for different places where to live. What is left are the stories of those that once used to live there which are passed on from generation to generation.
The Absence of Apricots (2019 )
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A bold documentary in a measured style about the modern-day quest for meaning and personal growth.
Now Something Is Slowly Changing (2019 )
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Two film directors and a writer are in Portugal for an expedition through various images, moments from the history of Western allegorical representation. The writer is Jean-Louis Schefer, and this tale encapsulates his life’s mission.
Danses Macabres, Skeletons, and Other Fantasies (2019 )