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Rather than focusing on the monuments and representational architecture of the Plaza, Tlatelolco concentrates on the neighboring residential high-rises. Built in the 1960s under the supervision of modernist Mario Pani, Unidad Habitacional Nonoalco-Tlatelolco is the largest apartment complex in Mexico City. Realized at the zenith of Mexico’s economic boom, Pani’s vision of a “vertical city” beyond class distinctions has itself been shaken up on multiple occasions. Schreiber and cameraman Johannes Hammel capture the fading of an urban architectural utopia.
Tlatelolco (2011 )
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Snapshot documentary about the director, who processes his father's suicide. A standalone sequel to the short film "Boogie woogie pappa".
Inbetweener (2011 )
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A documentary musical comedy with elements of kitchen-sink realist drama, featuring Marija's three granddaughters: Nina, Zeljka and Danira.
Marija's Own (2011 )
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Do you remember the last time you've talked to your parents? What did you talk about? Have you gone step further from weather forecast and daily politics? Five years after last gathering, a birthday celebration brings together an ordinary four member family. They start questioning what made them turn away from each other... Can having a conversation about buried family secrets help them eat without cramps in the stomach in the future? Can a failed birthday cake help them overcome the past? Through the ritual of family meals, the film tells how important is for us to feel accepted by our loved ones.
Family Meals (2011 )
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Karel Vachek’s latest documentary essay deals with the fine line between an internal belief in God and institutionalized religion. At the same time it brings up the need for a healthy sense of skepticism and the benefit of not believing in anything that advertises itself as certain. The filmmaker sets out for the USA, Japan, Great Britain, Poland, and the Balkans in his sometimes amusing investigation of spiritual substitutes, such as esoteric "teachings” or various fraudulent and magical practices, to which we sometimes fall prey due to our natural religious cravings. In addition to a Czech "prefab” family, who describe the carryings-on of their poltergeist, well-known mystery buffs appear in the film: Erich von Däniken, Raymond Moody Jr., and Ivan Mackerl.
Obscurantist and His Lineage or The Pyramids' Tearful Valley (2011 )
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Since comets have been recorded, they’ve augured disaster: catastrophe, messiahs, upheaval and end times. A short film about these meteoric ice-cored fireballs and their historic ties to divination that combines imagery of 15th-18th century European broadsides with NASA Jet Propulsion Laboratory footage. …These Blazeing Starrs! juxtaposes a modern empirical desire to probe and measure against older methods, when star gazers were translators, explicating the sky more intuitively for predictions of human folly. Comets are now understood as time capsules harboring elemental information about the formation of our solar system. Today we smash rockets into them to read spectral signatures. In a sense, they remain oracles - it’s just the manner of divining which has changed.
These Blazeing Starrs! (2011 )
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Vera and Gabriel, an elderly couple, navigate through past and present, telling their own life story. Their remembering, rendered in images from family archives that confound themselves with images of the present, suggests a personal diary on love and death.
Undertow Eyes (2011 )
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Two men take a train ride to find out the truth about their father.
Ex Press (2011 )
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Thi and Trung live in the gorgeous, rice-terraced mountains of Vietnam’s far northwest. Like many young men in this region on the main heroin route from Laos to China, they’re addicts, and they have HIV. Thi wants to kick his habit. Trung just wants to die. “With or Without Me ” is an intimate, tragicomic portrayal of two guys strung out at the edge of the map of a country struggling with drug use, and of the wives, family, doctors and friends trying to pull them back from the brink.
With or Without Me (2011 )
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They arrive, they smoke, they wait - armed robbers seeking redemption, life-long thieves, addicts and anxious fathers of wayward children. Hard exteriors hide soft centres, old lives exist in young bodies - ordinary people awaiting judgement on an unlovely stretch of pavement outside a London magistrates' court. Whilst waiting for their cases to be heard they reveal their lives, and the complexities of the human soul are laid bare. Tense and intimate conversations with the filmmaker illuminate stories that the magistrates hear daily. Director Marc Isaacs spent three months outside Highbury Magistrates Court and, in doing so, demonstrates how the eye of the camera has the ability to delve much deeper into character and motivation than the eye of the law. Consequently, the more we get to know the characters in this film, the harder it is to make easy judgements. Whilst the court must judge, the filmmaker need not.
Outside the Court (2011 )
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Utilizing the banality of Vietnamese state radio broadcasts, The Story of Ones gives a face and a sense of place to the unseen and offers a personal counterpoint to the officially sanctioned. Like entering a roomful of stories, the viewer steps into an unfamiliar space guided only by the sound of the radio tuning in to lifestyle programming, call-in shows and radio dramas. The portraits and settings layered atop the aural landscape create questions, provide humor, offer context and withdraw explanation of what once seemed clear before entering the room.
The Story of Ones (2011 )
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This documentary is on street sellers who sells different kind of things but use same way, their voices. One of them sells cake on street, one of them repairs the quilt on the street, one of them announces the discounts in the market. “I've come and I'm gone” tells that how important human voices is in marketing.
I’ve Come and I am Gone (2011 )
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"Flag as inapproriate". This unconspicuous button with a flag icon appears underneath every single YouTube video we watch marking the limits of our freedom in the Internet. Once flagged by anonymous users, after being checked by the also anonymous YouTube team, a video quickly disappears forever. In exactly this process, Dominic Gagnon intervenes. He 'saves' the flagged videos before they are deleted and adds them to a dark and mythological collage of American survivalism. People have their say, who deeply mistrust the government, who warn their fellow citizens, and who arm themselves visibly. An unclear image emerges. While the protagonists are scared of the almighty American government, the viewer is irritated what to find the most threatening in this "hell": the United States of America, the critics armed to the teeth with conspiracy theories, or the anonymous censorship power of the companies which control the web.
Pieces and Love All to Hell (2011 )
Závod ke dnu (2011 )
Copper Age (2011 )
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The youngest of 17 children, the filmmaker presents us with an intimate family portrait in 17 rolls of Super 8. Through original films and carefully constructed archives, the members of one family recount the events surrounding the death of the oldest brother and share their beliefs on life after death, into which is woven a parallel experience just as haunting to the director.
My Family in 17 Takes (2011 )
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A contemplative walk leads to a bizarre climb. The camera, which has barely touched on an everyday rural landscape, attaches itself to a wooden track to follow a breakneck route over a vertical rock face. At the end: a view of the starting point of the journey - the village! It is only a few minutes of film, but hints at an eternity, far, deep under the rock face.
Stick Climbing (2011 )
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In the beginning the idea was to make something from nothing, in a neutral and unknown place. Collect images and sounds instead of producing them. The camera, the microphone and the mini-amplifier: tools that take away and then give back. We defined a rule: the sound shouldn't illustrate the image and the image shouldn't absorb the sound. Less than a hundred kilometres from Reykjavik we found Strokkur. For three days we saw and heard the internal dynamics of the crevice: the boiling water that spat out every seven minutes and the thermal shock, given the eighteen degrees below zero of the atmosphere.
Strokkur (2011 )
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What is peace? What is coexistence? And what are the basis for them? PEACE is a visual-essay-like observational documentary, which contemplates these questions by observing the daily lives of people and cats in Okayama city, Japan, where life and death, acceptance and rejection are intermingled.
Peace (2010 )
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is a creative documentary-fiction film and a film that might expand your sense of reality. It is the story about a man who enters the virtual world Second Life to pursue his personal dreams and ambitions. His journey into cyberspace becomes a magic learning experience, which gradually opens the gates to a much larger reality.
My Avatar and Me (2010 )
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Film crew on the road: Director (Jaroslav Plesl), his Producer (Simona Babcáková), and their Director of Photography (Jirí Vyorálek) and Sound Arist (Johana Svarcova). Starving artists who already have a number of films to their names, Czech Lion award-winning films, excellent reviews and have been screened at numerous festivals, but they don't have audiences. Their next collaborative effort - the Director's lifetime dream - is quickly becoming oblivion because he failed to win a grant, which means it won't be made. And so the frustrated Director and his colleagues await their chance among record-holders of curious disciplines such as crawling with a squash racket or collecting four-leaf clovers. How will the collision of these two worlds end? What will the Director's next film be about?
The Greatest Czechs (2010 )
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The directors want to shoot a film about a man known as the son of god. But what starts out as a practical joke, extends to become a curious portrait of what could either be a petty fraud or the world’s most secret miracle. A film crew tracks his bizarre pilgrimage as magic and religion, faith and doubt, real and unreal blur and melt to the point that one of the director becomes one of the characters. The film traverses all descriptions, before ending as both an affirmation of faith for the faithless and a criticism of faith for the overly faithful.
Son of God (2010 )
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Towards the end of the seventies, the militants of MIR exiled in Europe, decided to return to Chile in order to support the fight against the military dictatorship. The ones who could would help through legal means, others through clandestinely. Many had children and couldn't' t return with them. So the idea of a community center to shelter these children was born. Project Home gathered 60 kids that were left to the care of 20 people who assumed the responsibility of their upbringing for the years to come.
The Chilean Building (2010 )
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Alexei is a nineteen year old recruit being flown in to perform his military service on the frontier of northern Russia. The base is one of few such remaining outposts on the Arctic Ocean. There are five other seasoned and long serving soldiers stationed here, each with their own personal story or secret that has caused them to retreat from the real world. Their training and breaking in of the new arrival is sometimes humorous, at times harsh. Gradually, they each reveal something of themselves in their daily interactions and private moments as they continue their absurd duty in this snow covered no man's land, hundreds of miles from the nearest human settlement.
At the Edge of Russia (2010 )
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A journey from the harbor town of Jaffa to the Jaffa orange, a fruit through which the Israeli filmmaker examines the Israeli-Palestinian conflict.
Jaffa: The Orange's Clockwork (2010 )
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Zelal is a documentary that's an invitation to delve into the world of psychiatry and "madness" in Egypt. It meets the ordinary madmen and women banished to mental institutions by Egyptian society and offers more than just a journey into their world of shadows. The hospitals end up becoming the only place patients can conceive, not because they are truly "crazy", but because they fear the outside world. The film forces viewers to put their own preconceptions and interpretations to the test, reminding us that freedom is precarious in a society that does not tolerate any differences.
Zelal (2010 )
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The non-spoken documentary from Martin H. Schmitt exploring the senses and evolution of robots, from a mechanical somnambulist to an autonomous sensorium.
Robot world - A meeting with your alternate double (2010 )
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An Austrian feminist experiences a radical about-face when she marries a Yemenite named Khadher and converts to Islam.
Arab Attraction (2010 )
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Documentary - Going behind the usual images of war-torn Gaza, Swiss documentarian Nicolas Wadimoff offers this look at how people survive despite constant threat of danger. Children still play, rappers still create music and families still love one another. In addition to visiting the United Nations Food Distribution Center, Wadimoff films at a derelict amusement park and profiles the DARG TeaM rappers, whose politically charged music proclaims their defiance. -
Aisheen (Still Alive in Gaza) (2010 )
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The great Polish opera diva Maria Foltyn created her greatest performance in Stanislaw Moniuszkos Halka, with which she toured worldwide - she was applauded by Stalin and admired by Castro. Today, when she is losing her voice, she has decided to give way to her successor. The film Viva Maria! is a tale of passion, sacrifice and devotion, and is an extraordinary story of passing down a voice.
Viva Maria! (2010 )
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On a mountaintop in southwest Serbia lies the womanless hamlet of Zabrdje, where the Jankovic brothers hold the fort. Veering between the utterly hilarious and deeply poignant, this beautifully-crafted film follows one brother's quest to introduce women back into the once-vibrant community. But with no roads or running water, convincing a Serbian woman is out of the question.
Village Without Women (2010 )
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Documentary profiling the directors involved in the loose Philippine New Wave filmmaking movement.
Philippine New Wave: This Is Not a Film Movement (2010 )
